@article{018e9e35-5ae9-73de-b9bf-d0effc08c814,
author = {Sandra Frydrysiak, Karolina Sikorska},
title = {Gender, Agency, Sisterhood: Two Visions of Women’s “Solidarity” in Film Documentaries. Feminist Analysis},
journal = {Arts & Cultural Studies Review},
volume = {2022},
number = {Issue 4 (54) Playing While the World Burns: Games in a Time of Crisis},
year = {2022},
issn = {1895-975X},
pages = {599-620},keywords = {sisterhood; care; feminism; affective solidarity; affective dissonance; documentary; trade union "Solidarity"; Women of Freedom (2019); Solidarity According to Women (2014)},
abstract = {In the article, from a feminist perspective, we look at two visions of “Solidarity,” that was co-created by women, shown in documentary films – Solidarity According to Women, 2014, dir. Marta Dzido, Piotr Śliwowski and Women of Freedom, 2019, dir. Wiesław Paluch, Mirosław Basaj. For this purpose, we refer, i.a., to the concept of situated knowledge (Donna Haraway, 2009), its reinterpretation in the context of the category of care (María Puig de la Bellacasa, 2017) or to the category of affective solidarity (Clare Hemmings, 2012). We describe the narrative strategy of Women of Freedom as a story about heroism without heroines, while the one we read in Solidarity According to Women we call heroising of heroines. During the analyzes, we explore different visions of female roles and identities, we also address the topic of sisterhood, both between women involved in the movement and in the relationship between the researcher and the subject of the research. Finally, becoming aware of our own affective dissonance, we consider how critical and sisterly interpretative practices are possible.},
doi = {10.4467/20843860PK.22.040.17094},
url = {https://ejournals.eu/en/journal/przeglad-kulturoznawczy/article/plec-sprawczosc-siostrzenstwo-dwie-wizje-solidarnosci-kobiet-w-dokumentach-filmowych-analiza-feministyczna}
}