1425-6851 A Misbehaved Testimony of the Shoah and the Disciplines of Memory: Vera Gran: The Accused by Agata Tuszyńska in the Original and in Translation Podpora Agnieszka author Kamińska Aleksandra translator Uniwersytet Jagielloński w Krakowie 03bqmcz70 Uniwersytet Ignatianum w Krakowie Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków Correspondence to: Agnieszka Podpora agnieszka.podpora@uj.edu.pl Correspondence to: Aleksandra Kamińska aleksandra.kaminska@doctoral.uj.edu.pl 11 12 2019 Special Issue 2019 – Translation and Memory Numery anglojęzyczne 192 225 Copyright © 2019 2019 Originally published in Polish in <em>Przekładaniec</em> vol. 39/2019, this article was written within the framework of the author’s research project funded by the Polish National Science Centre (NCN), following the decision no. DEC-2012/07/N/HS2/00968. The text appears in English thanks to the financial support from the Polish Ministry of Science and Higer Education (grant no. 643/P-DUN/2018). <p><em>Oskarżona: Vera Gran (Vera Gran: The Accused),</em> a hybrid biographical work relating the life story and testimony of the Warsaw ghetto singer by the Polish second generation author Agata Tuszyńska, was translated to many languages. Yet, all the translations were made on the basis of the French one, which in fact reflects a strongly edited version of the original text. As the author of the article argues, the modifications introduced to <em>Oskarżona: Vera Gran</em> upon its release on the foreign markets go far beyond the standard editing procedures and have to do with the fact that Tuszyńska’s original text openly questions a certain fixed paradigm of representing the Holocaust and some of the socially sanctioned patterns of Shoah remembrance. 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