<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.3 20210610//EN" "JATS-journalpublishing1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xml:lang="en"
    xmlns:mml="http://www.w3.org/1998/Math/MathML"
    xmlns:xlink="http://www.w3.org/1999/xlink"
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
    <processing-meta tagset-family="jats" base-tagset="publishing" mathml-version="2.0" table-model="xhtml"/>
    <front>
                        
                        <journal-meta>
            <issn>1425-6851</issn>
                                </journal-meta>
        <article-meta>
            <title-group>
                                    <article-title>O przekładaniu szkockości</article-title>
                                    <article-title>On Translating Scottishness</article-title>
                            </title-group>

                        <contrib-group>
                                                            <contrib contrib-type="author" corresp="no">
                            <name>
                                <surname>Lewandowska-Rodak</surname>
                                <given-names>Dominika</given-names>
                            </name>
                            <role>author</role>
                                                        <xref ref-type="corresp" rid="cor-1"/>
                        </contrib>
                                                </contrib-group>

                        
            <author-notes>
                                    <corresp id="cor-1">Correspondence to: Dominika Lewandowska-Rodak <email></email></corresp>
                            </author-notes>

                            <pub-date date-type="pub" publication-format="electronic" iso-8601-date="2025-02-27">
                    <day>27</day>
                    <month>02</month>
                    <year>2025</year>
                </pub-date>
            
            <volume>Numer 49 – Mikrojęzyki </volume>
            <issue>2024</issue>
                        <fpage>187</fpage>
                                    <lpage>207</lpage>
            
            <permissions>
                <copyright-statement>Copyright &#x00A9; 2025</copyright-statement>
                                    <copyright-year>2025</copyright-year>
                            </permissions>

            <funding-group specific-use="Crossref">
                <funding-statement></funding-statement>
            </funding-group>
        </article-meta>
    </front>
    <body>
        
    </body>
    <back>
                    <ref-list>
                                                                                <ref id="B1">
                            <label>1</label>
                            <article-title>Alexander Neal 2013. The Idea of North: Basil Bunting and Regional Modernism, w: Neal Alexander, James Moran (red.), Regional Modernisms, Edinburgh: Edinburgh University Press, s. 200–221.</article-title>
                        </ref>
                                                                                                    <ref id="B2">
                            <label>2</label>
                            <article-title>Berezowski Leszek 1997. Dialect in Translation, Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego.</article-title>
                        </ref>
                                                                                                    <ref id="B3">
                            <label>3</label>
                            <article-title>Bisset Alan 2001. Introduction, w: Alan Bisset (red.), Damage Land: New Scottish Gothic Fiction, Edinburgh: Polygon.</article-title>
                        </ref>
                                                                                                    <ref id="B4">
                            <label>4</label>
                            <article-title>Brocklehurst Steven 2017. Rebus Was Turned down Five Times, Says Ian Rankin, BBC [online], https://www.bbc.com/news/uk-scotland-40454746 (15.06.2024).</article-title>
                        </ref>
                                                                                                    <ref id="B5">
                            <label>5</label>
                            <article-title>Brown Ian, Riach Alan 2009. Introduction, w: Ian Brown, Alan Riach (red.), Edinburgh Companion to Twentieth-Century Scottish Literature, Edinburgh: Edinburgh University Press, s. 1–14.</article-title>
                        </ref>
                                                                                                    <ref id="B6">
                            <label>6</label>
                            <article-title>Connell Liam 2003. Modes of Marginality: Scottish Literature and the Uses of Postcolonial Theory, „Comparative Studies of South Asia, Africa, and the Middle East” 23(1–2), s. 41–53.</article-title>
                        </ref>
                                                                                                    <ref id="B7">
                            <label>7</label>
                            <article-title>Craig Cairns 1998. The Modern Scottish Novel: Narrative and the National Imagination, Edinburgh: Edinburgh University Press.</article-title>
                        </ref>
                                                                                                    <ref id="B8">
                            <label>8</label>
                            <article-title>Crickmar Mart 2014. Tartan Polonaise: Scottish Crime Fiction in Poland, „Glottodidactica” XLI/1, s. 89–100.</article-title>
                        </ref>
                                                                                                    <ref id="B9">
                            <label>9</label>
                            <article-title>Cronin Michael 2006. Translation and Identity, Oxon: Routledge.</article-title>
                        </ref>
                                                                                                    <ref id="B10">
                            <label>10</label>
                            <article-title>Cygan Stanisław. Charakterystyka gwar Kielecczyzny, w: Dialekty i gwary polskie. Kompendium internetowe pod red. Haliny Karaś, http://www.dialektologia.uw.edu.pl/index.php?l1=mapa-serwisu&amp;amp;l2=&amp;amp;l3=&amp;amp;l4=kieleckie-gwara-regionu-mwr (29.09.2024).</article-title>
                        </ref>
                                                                                                    <ref id="B11">
                            <label>11</label>
                            <article-title>Duncan Ian 2001. Walter Scott, James Hogg and Scottish Gothic, w: David Punter (red.), A Companion to the Gothic, Oxford: Blackwell.</article-title>
                        </ref>
                                                                                                    <ref id="B12">
                            <label>12</label>
                            <article-title>Gardiner Michael 1996. Democracy and Scottish Postcoloniality, „Scotlands” 3(2), s. 24–41.</article-title>
                        </ref>
                                                                                                    <ref id="B13">
                            <label>13</label>
                            <article-title>Gardiner Michael, MacDonald Graeme, O’Gallagher Niaill (red.) 2011. Scottish Literature and Postcolonial Literature: Comparative Texts and Critical Perspectives, Edinburgh: Edinburgh University Press.</article-title>
                        </ref>
                                                                                                    <ref id="B14">
                            <label>14</label>
                            <article-title>Genette Gérard 1997. Paratexts: Thresholds of Interpretation, przeł. Jane E. Lewin, Cambridge: Cambridge University Press.</article-title>
                        </ref>
                                                                                                    <ref id="B15">
                            <label>15</label>
                            <article-title>Hames Scott 2020. The Literary Politics of Scottish Devolution: Voice, Class, Nation, Edinburgh: Edinburgh University Press.</article-title>
                        </ref>
                                                                                                    <ref id="B16">
                            <label>16</label>
                            <article-title>Hart Francis Russell 1978. The Scottish Novel: A Critical Survey, London: John Murray.</article-title>
                        </ref>
                                                                                                    <ref id="B17">
                            <label>17</label>
                            <article-title>Hejwowski Krzysztof 2004. Kognitywno-komunikacyjna teoria przekładu, Warszawa: Wydawnictwo Naukowe PWN.</article-title>
                        </ref>
                                                                                                    <ref id="B18">
                            <label>18</label>
                            <article-title>Homberg-Schramm Jessica 2018. „Colonized by Wankers”: Postcolonialism and Contemporary Scottish Fiction, Cologne: Modern Academic Publishing, https://library.oapen.org/bitstream/handle/20.500.12657/30609/645077.pdf?sequence=1&amp;amp;isAllowed=y (10.06.2024).</article-title>
                        </ref>
                                                                                                    <ref id="B19">
                            <label>19</label>
                            <article-title>Jakubowiak Maciej 2021. Literatura jest wielością. Rozmowa z Krzysztofem Cieślikiem, „Dwutygodnik”, https://www.dwutygodnik.com/artykul/9618-literatura-jest-wieloscia.html (10.05.2024).</article-title>
                        </ref>
                                                                                                    <ref id="B20">
                            <label>20</label>
                            <article-title>Karłowicz Jan 1907. Słownik gwar polskich, tom piąty, Kraków: Akademia Umiejętności, https://ia801306.us.archive.org/13/items/sownikgwarpolsk01kargoog/sownikgwarpolsk01kargoog.pdf (30.09.2024).</article-title>
                        </ref>
                                                                                                    <ref id="B21">
                            <label>21</label>
                            <article-title>Kelman James 1998. How Late it Was, How Late, London: Vintage.</article-title>
                        </ref>
                                                                                                    <ref id="B22">
                            <label>22</label>
                            <article-title>Kelman James 2003. Elitism and English Literature, Speaking as a Writer, w: James Kelman, „And The Judges Said…”. Essays, London: Vintage.</article-title>
                        </ref>
                                                                                                    <ref id="B23">
                            <label>23</label>
                            <article-title>Kelman James 2011. Jak późno było, jak późno, przeł. Jolanta Kozak, Warszawa: PIW.</article-title>
                        </ref>
                                                                                                    <ref id="B24">
                            <label>24</label>
                            <article-title>Korzeniowska Aniela 2013. James Kelman’s Polish 2011 Debut with Jak późno było, jak późno (How Late it Was, How Late) and Its Position within the Polish Literary Polysystem, w: Aniela Korzeniowska, Izabela Szymańska (red.), Scotland in Europe / Europe in Scotland: Links – Dialogues – Analogies, Warszawa: Semper, s. 129–140.</article-title>
                        </ref>
                                                                                                    <ref id="B25">
                            <label>25</label>
                            <article-title>Lehner Stefanie 2011. Subaltern Scotland: Devolution and Postcoloniality, w: Berthold Schoene (red.), The Edinburgh Companion to Contemporary Scottish Literature, Edinburgh: Edinburgh University Press, s. 292–300.</article-title>
                        </ref>
                                                                                                    <ref id="B26">
                            <label>26</label>
                            <article-title>Macdonald Kirsty 2009. Scottish Gothic: Towards A Definition, „The Bottle Imp” 6, https://www.thebottleimp.org.uk/2009/11/scottish-gothic-towards-a-definition/ (9.06.2024).</article-title>
                        </ref>
                                                                                                    <ref id="B27">
                            <label>27</label>
                            <article-title>Milne Drew 2013. Hugh MacDiarmid’s Modernisms: Synthetic Scots and the Spectre of Robert Burns, w: Neal Alexander, James Moran (red.), Regional Modernisms, Edinburgh: Edinburgh University Press, s. 142–159.</article-title>
                        </ref>
                                                                                                    <ref id="B28">
                            <label>28</label>
                            <article-title>Mina Denise 2007. The Last Breath, London: Bantam Press.</article-title>
                        </ref>
                                                                                                    <ref id="B29">
                            <label>29</label>
                            <article-title>Mina Denise 2008. Pole krwi, przeł. Hanna Pawlikowska-Gannon, Warszawa: W.A.B.</article-title>
                        </ref>
                                                                                                    <ref id="B30">
                            <label>30</label>
                            <article-title>Mina Denise 2009. Martwa godzina, przeł. Maciej Świerkocki, Warszawa: W.A.B.</article-title>
                        </ref>
                                                                                                    <ref id="B31">
                            <label>31</label>
                            <article-title>Mina Denise 2010. Ostatnie tchnienie, przeł. Maciej Świerkocki, Warszawa: W.A.B.</article-title>
                        </ref>
                                                                                                    <ref id="B32">
                            <label>32</label>
                            <article-title>Mina Denise 2018a. The Dead Hour, London: Vintage. Epub.</article-title>
                        </ref>
                                                                                                    <ref id="B33">
                            <label>33</label>
                            <article-title>Mina Denise 2018b. The Field of Blood, London: Vintage. Epub.</article-title>
                        </ref>
                                                                                                    <ref id="B34">
                            <label>34</label>
                            <article-title>Pittin-Hédon Marie-Odile 2009. Scottish Contemporary Popular and Genre Fiction, w: Iain Brown, Alan Riach (red.), Edinburgh Companion to Twentieth-Century Scottish Literature, Edinburgh: Edinburgh University Press, s. 193–203.</article-title>
                        </ref>
                                                                                                    <ref id="B35">
                            <label>35</label>
                            <article-title>Punter David 1999. Heart Lands: Contemporary Scottish Gothic, „Gothic Studies” 1(1), s. 101–118.</article-title>
                        </ref>
                                                                                                    <ref id="B36">
                            <label>36</label>
                            <article-title>Schoene Berthold 1995. A Passage to Scotland: Scottish Literature and the British Postcolonial Tradition, „Scotlands” 2(1), s. 107–122.</article-title>
                        </ref>
                                                                                                    <ref id="B37">
                            <label>37</label>
                            <article-title>Spivak Gayatri 2009. Polityka przekładu, przeł. Dorota Kołodziejczyk, w: Piotr Bukowski, Magda Heydel (red.), Współczesne teorie przekładu, Kraków: Znak, s. 405–427.</article-title>
                        </ref>
                                                                                                    <ref id="B38">
                            <label>38</label>
                            <article-title>Stivers Valerie 2016. Alasdair Gray, The Art of Fiction No. 232, „The Paris Review” 219, https://www.theparisreview.org/interviews/6904/the-art-of-fiction-no-232-alasdair-gray (9.06.2024).</article-title>
                        </ref>
                                                                                                    <ref id="B39">
                            <label>39</label>
                            <article-title>Stuart Douglas 2020. Shuggie Bain, London: Picador.</article-title>
                        </ref>
                                                                                                    <ref id="B40">
                            <label>40</label>
                            <article-title>Stuart Douglas 2021. Shuggie Bain, przeł. Krzysztof Cieślik, Poznań: Wydawnictwo Poznańskie.</article-title>
                        </ref>
                                                                                                    <ref id="B41">
                            <label>41</label>
                            <article-title>Stuart Douglas 2022. Young Mungo, London: Picador.</article-title>
                        </ref>
                                                                                                    <ref id="B42">
                            <label>42</label>
                            <article-title>Stuart Douglas 2023. Młody Mungo, przeł. Maciej Studencki, Poznań: Wydawnictwo Poznańskie.</article-title>
                        </ref>
                                                                                                    <ref id="B43">
                            <label>43</label>
                            <article-title>The Booker Prizes 2022. Douglas Stuart interview: „I am always looking for tenderness in the hardest places”, https://thebookerprizes.com/douglas-stuart-interview-shuggie-bain (15.06.2024).</article-title>
                        </ref>
                                                                                                    <ref id="B44">
                            <label>44</label>
                            <article-title>Tymoczko Maria 2000. Translations of Themselves: The Contours of Postcolonial Fictions, w: Sherry Simon, Paul St-Pierre (red.), Changing the Terms: Translating in the Postcolonial Era, Ottawa: University of Ottawa Press, s. 148–163.</article-title>
                        </ref>
                                                                                                    <ref id="B45">
                            <label>45</label>
                            <article-title>Tymoczko Maria 2009. Literatura postkolonialna i przekład literacki, przeł. Agata Sadza, w: Piotr Bukowski, Magda Heydel (red.), Współczesne teorie przekładu, Kraków: Znak, s. 430–447.</article-title>
                        </ref>
                                                                                                    <ref id="B46">
                            <label>46</label>
                            <article-title>Wallace Melissa 2002. Writing the Wrongs of Literature: The Figure of the Feminist and Post-Colonialist Translator, „The Journal of the Midwest Modern Language Association” 5(2), Translating in and across Cultures, s. 65–74.</article-title>
                        </ref>
                                                                                                    <ref id="B47">
                            <label>47</label>
                            <article-title>Welsh Irvine 1994. Trainspotting, London: Vintage.</article-title>
                        </ref>
                                                                                                    <ref id="B48">
                            <label>48</label>
                            <article-title>Welsh Irvine 2010. Trainspotting, przeł. Jędrzej Polak, Kraków: Vis-à-Vis Etiuda.</article-title>
                        </ref>
                                                                                                    <ref id="B49">
                            <label>49</label>
                            <article-title>Williamson Marcus 2015. William McIlvanney: Author whose Gritty Laidlaw Novels Began the ‘Tartan Noir’ Genre, Inspiring Writers Like Ian Rankin, „The Independent”, https://www.independent.co.uk/news/obituaries/william-mcilvanney-author-whose-gritty-laidlaw-novels-began-the-tartan-noir-genre-inspiring-writers-like-ian-rankin-a6763951.html (15.06.2024).</article-title>
                        </ref>
                                                </ref-list>
            </back>
</article>
