What Conrad has to offer the 21st Century
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RIS BIB ENDNOTEData publikacji: 19.12.2025
Yearbook of Conrad Studies, 2022, Vol. 17, s. 51-68
https://doi.org/10.4467/20843941YC.22.004.21696Autorzy
What Conrad has to offer the 21st Century
Beginning with ‘The Year of Joseph Conrad’ in 2017 (and the various events and publications associated with it), this essay offers an account of three recent critical works on Conrad, which reconsider Conrad’s treatment of sense impressions, his relation to modernism, and his Polishness. The essay argues for a multiplicity of ‘Conrads’ and ends with a consideration of transnational readings of Conrad by a multiplicity of readers.
Adamowicz Pośpiech, Agnieszka. “The Reception of Joseph Conrad in Poland, 1896-2021.” In The Reception of Joseph Conrad in Europe. Edited by Robert Hampson and Véronique Pauly. London: Bloomsbury, 2022, pp. 21-34.
Adamowicz Pośpiech, Agnieszka, Martinière, Nathalie, Paccaud-Huguet, Josiane and Véronique Pauly. Conrad’s Presence in Contemporary Culture: Adaptations and Appropriations. Leiden: Brill, 2024.
Ambrosini, Richard. “‘The Battle for Conrad’ Inside and Outside Italian Academia in the Years 1924-1960.” In The Reception of Joseph Conrad in Europe. Edited by Robert Hampson and Véronique Pauly. London: Bloomsbury, 2022, pp. 161-167.
Brodsky, Stephen. Joseph Conrad’s Polish Soul. Lublin: Marie Curie-Sklodowska University Press, 2016.
The Collected Letters of Joseph Conrad, vol. 7. Edited by Laurence Davies and J. H. Stape. Cambridge: Cambridge University Press, 2005.
Conrad and Nature. Edited by Lissa Schneider-Rebozo, Jeffrey Mathes McCarthy and John G. Peters. London: Routledge, 2020.
Conrad, Joseph. “Almayers’ Folly” and “An Outcast of the Islands.” Translated by Victor Petrovski (AF) and Angria Bongar (OI). Kyiv: Tempora, 2018.
Conrad, Joseph. Amy Foster. Translated by Tania Zulli. Venice: Marsilio Editori, 2018.
Conrad, Joseph. Chance. London: J. M. Dent, 1923.
Conrad, Joseph. Lord Jim. London: J. M. Dent, 1923.
Conrad, Joseph. Nostromo. London: J. M. Dent, 1923.
Conrad, Joseph. “Poland Revisited.” In Notes on Life & Letters. London: J. M. Dent, 1924, pp. 141-173.
Conrad, Joseph. “Prince Roman.” In Tales of Hearsay. London: J. M. Dent, 1928, pp. 29-58.
Conrad, Joseph. The Rescue. London: J. M. Dent, 1924.
Conrad, Joseph. The Rover. Translated by Kaoru Yamamoto. Tokyo: Genki-shobou, 2022.
Conrad, Joseph. The Secret Agent. London: J. M. Dent, 1923.
Conrad, Joseph. The Secret Agent. Translated by Petra Tarashyk. Kyiv: Tempora, 2018.
Conrad, Joseph. “The Warrior’s Soul.” In Tales of Hearsay. London: J. M. Dent, 1928, pp. 1-28.
Conrad, Joseph. Under Western Eyes. London: J. M. Dent, 1923.
Conrad, Joseph. Victory. London: J. M. Dent, 1923.
Conrad without Borders: Transcultural and Transtextual Perspectives. Edited by Brendan Kavanagh, Grażyna Maria Teresa Branny and Agnieszka Adamowicz-Pośpiech. London: Bloomsbury, 2023.
Conradology: A Celebration of the Work of Joseph Conrad. Edited by Becky Harrison and Magda Raczyńska. Manchester: The Comma Press, 2017.
Curreli, Mario. “The Italian Translations of Conrad.” In The Reception of Joseph Conrad in Europe. Edited by Robert Hampson and Véronique Pauly. London: Bloomsbury, 2022, pp. 151-159.
Donovan, Stephen. Joseph Conrad and Popular Culture. London: Palgrave Macmillan, 2005.
Dryden, Linda and Robert Hampson. Joseph Conrad’s Cultural Legacy. London: Bloomsbury, 2024.
Durden, Dennis. “Ngugi wa Thiong’o: James Ngugi.” In Ngugi wa Thiong’o Speaks: Interviews with the Kenyan Writer. Edited by Reinhard Sander and Bernth Lindfors. Oxford: James Currey, 2006.
Epstein, Hugh. Hardy, Conrad and the Senses. Edinburgh: Edinburgh University Press, 2020.
Fothergill, Anthony. “Publishing Under Pressure: Conrad’s Reception in Germany 1900-1945 – and After.” In The Reception of Joseph Conrad in Europe. Edited by Robert Hampson and Véronique Pauly. London: Bloomsbury, 2022, pp. 107-123.
Hampson, Robert. “From Stage to Screen: ‘The Return’, ‘Victory,’ ‘The Secret Agent’ and ‘Chance.’” In Katherine Isobel Baxter and Richard J. Hand. Joseph Conrad and the Performing Arts. Farnham: Ashgate, 2009, pp. 59-76.
Hampson, Robert. “Iain Sinclair’s ‘The Gold Machine’: a Conradian Entanglement.” In Joseph Conrad’s Cultural Legacy, pp. 85-100.
Hampson, Robert. Joseph Conrad. Cosmopolitanism and Transnationalism. London: Palgrave Macmillan, 2023.
Joseph Conrad: The Centennial Perspectives. Edited by John G. Peters and Chandfrakant Langare. Jaipur: Rawat Publications, 2024.
Kujawska-Lis, Ewa. “The Polish Translation and Reception of ‘Lord Jim.’” In The Reception of Joseph Conrad in Europe. Edited by Robert Hampson and Véronique Pauly. London: Bloomsbury, 2022, pp. 35-55.
Lemkin, Rob. “Conrad in Niger – ‘Heart of Darkness’ and ‘African Apocalypse.’” In Joseph Conrad’s Cultural Legacy. Edited by Linda Dryden and Robert Hampson. London: Bloomsbury, 2024, pp. 49-74.
Levin, Yael. Joseph Conrad: Slow Modernism. Oxford: Oxford University Press, 2020.
Levin, Yael. Tracing the Aesthetic Principle in Conrad’s Novels. London: Palgrave Macmillan, 2008.
Linstrum, Erik. Age of Emergency: Living with Violence at the End of the British Empire. Oxford: Oxford University Press, 2023.
Mallios, Peter Lancelot. Our Conrad: Constituting American Modernity. Stanford: Stanford University Press, 2010.
Migration, Modernity and Transnationalism in the Work of Joseph Conrad. Edited by Kim Salmons and Tania Zulli. London: Bloomsbury, 2021.
Najder, Zdzisław. “Joseph Conrad and the Classical World: A Sketch of an Outline.” The Ugo Mursia Memorial Lectures. Papers from the International Conrad Conference. University of Pisa, September 16th–18th 2004. Edited by Mario Curreli. Pisa: Edizioni ETS, 2005, pp. 19-29.
Najder, Zdzisław. “‘Lord Jim’ – a Romantic Tragedy of Honour.” Conradiana 1, no. 1 (1968), reprinted in Conrad in Perspective: Essays on Art and Fidelity. Cambridge: Cambridge University Press, 1997, pp. 81-94.
Ngugi wa Thiong’o. Weep Not, Child. London: Heinemann, 1964.
Pamiętnik Literacki 54 (2017), a special Conrad issue edited by Andrzej Krzeczunowicz.
Panagopoulos, Nic. “Conrad in Greece: Translation, Performance, Politics.” In The Reception of Joseph Conrad in Europe. Edited by Robert Hampson and Véronique Pauly. London: Bloomsbury, 2022, pp. 301-308.
Peters, John G. “Zdzisław Najder’s Contribution to Conrad Studies in English. In Essays on Joseph Conrad in Memory of Professor Zdzisław Najder (1930-2021). Edited by Jolanta Dudek, Andrzej Juszczyk and Joanna Skolik. Kraków: Jagiellonian University Press, 2022, pp. 11-29.
Pye, Patricia. Sound and Modernity in the Literature of London, 1880-1918. London: Palgrave, 2017.
The Reception of Joseph Conrad in Europe. Edited by Robert Hampson and Véronique Pauly. London: Bloomsbury, 2022.
Retinger, Józef. Conrad and his Contemporaries. London: Minerva, 1941.
Routledge Companion to Joseph Conrad. Edited by Debra Romanick Baldwin. London: Routledge, 2024.
Sinclair, Iain. The Gold Machine: In the Tracks of the Mule Dancers. London: Oneworld, 2021.
Warodell, Johan Adam. Conrad’s Decentred Fiction. Cambridge: Cambridge University Press, 2022.
Wojciechowska, Sylwia. “‘Pro Patria’: Horace and the Gawęda in A Personal Record for Conrad’s Use of Horace in Relation to Polish Politics.” In Sylwia Janina Wojciechowska, Nost/algia as a Mode of Reflection in the Autobiographical Narratives of Joseph Conrad and Henry James. Lausanne, Berlin: Peter Lang, 2023, pp. 121-124.
Zulli, Tania. “‘To make you see:’ Multimodal Strategies in Conrad’s Fiction.” Joseph Conrad Society (UK): 50th Annual International Conference, St Mary’s University, Twickenham (July, 2023).
лumepamурama (literaturata) 18 (2016), a special Conrad issue edited by Lora Sultanova.
Informacje: Yearbook of Conrad Studies, 2022, Vol. 17, s. 51-68
Typ artykułu: Oryginalny artykuł naukowy
University of London
Wielka Brytania
Publikacja: 19.12.2025
Status artykułu: Otwarte
Licencja: CC BY 4.0
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