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Numer 4 (50) 2021: Poezja: strategie lektury w XXI wieku

2021 Następne

Data publikacji: 2021

Licencja: CC BY-NC-ND  ikona licencji

Redakcja

Redaktor naczelny Paweł Bukowiec

Sekretarz redakcji Tomasz Kunz

Zawartość numeru

Karolina Górniak-Prasnal

Wielogłos, Numer 4 (50) 2021: Poezja: strategie lektury w XXI wieku, 2021, s. 1-8

https://doi.org/10.4467/2084395XWI.21.027.15290

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Paweł Kaczmarski

Wielogłos, Numer 4 (50) 2021: Poezja: strategie lektury w XXI wieku, 2021, s. 9-36

https://doi.org/10.4467/2084395XWI.21.028.15291

Between Multivocality and Autonomy. Surprising Alliances in the Stokfiszewski Debate

The article offers a re-reading of an influential series of critical essays and commentaries published by Igor Stokfiszewski and various authors in 2007, as part of a debate on the role and importance of zaangażowanie (roughly “political commitment”) in contemporary poetry and criticism in Poland. In reconstructing the underlying logic of the debate, it aims to emphasise certain details and complexities that were so far largely ignored by critics, in order to point out indirect and often unexpected methodological, philosophical and political implications of some of the views put forward in the course of the exchange.

* Artykuł powstał w ramach projektu badawczego „Autonomia 2.0. Nowe podejścia do autonomii we współczesnej krytyce literackiej” (nr 2021/04/N/HS2/01612) finansowanego przez Narodowe Centrum Nauki.

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Karolina Górniak-Prasnal

Wielogłos, Numer 4 (50) 2021: Poezja: strategie lektury w XXI wieku, 2021, s. 37-58

https://doi.org/10.4467/2084395XWI.21.029.15292

The Archives in statu nascendi. Tymoteusz Karpowicz and Krystyna Miłobędzka – an Introduction to Creativity Research

The article is to present a preliminary analysis of chosen archival materials by Tymoteusz Karpowicz and Krystyna Miłobędzka –the representatives of Polish postwar Avant-garde. The study is a part of the multiperspective research on these two partly related poetic projects, which seem to be similar in seeking for experiments and new forms of expression, although they are based on different concepts and stylistics. Further research on the creative processes, exposing the material, dynamic and intentionally open-ended nature of their texts can shed a new light on the history of Polish postwar Avant-garde. The archives of Karpowicz and Miłobędzka remain the ‘works in progress’, which is significant in the context of their creative programs and poetic practices.

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Sebastian Brejnak

Wielogłos, Numer 4 (50) 2021: Poezja: strategie lektury w XXI wieku, 2021, s. 59-82

https://doi.org/10.4467/2084395XWI.21.030.15293

The Dialectics of Solitude, or “Death Is Not a Stake, But the White Cord”

The main purpose of this article is to conceptualise “the solitude” as one of the most relevant terms used in Ewa Lipska’s works. Brejnak claims that the experience of many Lipska’s literary characters/lyric egos is based on longing for existential freedom and self-sufficiency (which Friedrich Nietzsche described as “the Self” in his Thus Spoke Zarathustra). This pursuit that is unrealistic/unfeasible by definition consists of the dialectics of creation and destruction, transgression and introspection as well as an ambiguous desire to both exceed yourself and own the awareness of yourself (which was the main problem faced by Octavio Paz in his essay The Dialectic of Solitude). Brejnak attempts to prove the dialectic structure of Lipskas “solitude” on the basis of the analysis of selected works from the poetry collection Death Is Not at Stake, But the White Cord (1981). The main conclusion of the article is the ascertainment that “solitary” subjectivity, which Lipska problematizes in many works, can be called homo dialecticus. This notion used by Michel Foucault should be understood as a human being whose existence is insolvably problematic, suspended in the ontological and epistemological void – “in emergency mode”.

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Grzegorz Czemiel

Wielogłos, Numer 4 (50) 2021: Poezja: strategie lektury w XXI wieku, 2021, s. 83-106

https://doi.org/10.4467/2084395XWI.21.031.15294

Cartographies of Loss. Elizabeth Bishop’s Poetry in Translations and Works by Andrzej Sosnowski

Little attention has been devoted so far to the relation between the poetry of Elizabeth Bishop and works by Andrzej Sosnowski, which include translations of Bishop’s poems, despite many similarities the two poets share: a peculiar position within the literary tradition, a specific sensibility, an interest in sophisticated forms, or various affinities in terms of subject matter, especially nautical topics. More resemblances can be also identified at a deeper level, where they manifest in subtle ways: both poets are inclined to reflect on loss and the limits of poetic expression, ultimately scrutinizing (albeit indirectly) the relationship between death and literature. Exploring the connection between the two writers also makes it possible to highlight the role played by translation in poetry. As shown, the boundary between original works and translations can be blurred, offering a new model for reading and interpreting poetry – one based not on hierarchies but a community of thought.

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Katarzyna Sawicka-Mierzyńska

Wielogłos, Numer 4 (50) 2021: Poezja: strategie lektury w XXI wieku, 2021, s. 107-128

https://doi.org/10.4467/2084395XWI.21.032.15295

“Word, birch bark”: Does Piotr Janicki’s [Dog’s Book] Need an Ecocriticism (and Vce Versa)?

The article presents the work of Piotr Janicki, one of the most interesting Polish poets of the middle generation (born 1974). The author focuses primarily on the 2018 untitled volume of poems, referred to as [A Dog’s Book], in order to recreate the structure of the subject it contains, using the categories offered by the ecocritical discourse, represented by the works of Anna Ubertowska, Rosi Braidotti, Timothy Morton and other. In the course of the analysis, it turns out that an important assumption of Janicki’s poetry is the desire to break the anthropocentric perspective, which would place his work in the trend of “deeply ecological” literature, the task of which is, inter alia, to “infect” readers with new forms of sensitivity and imagination, breaking with the traditionally understood humanism, which places man above non-human beings, and not in a network of relationships with them, as it happens in [The Dog’s Book].

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Katarzyna Ciemiera

Wielogłos, Numer 4 (50) 2021: Poezja: strategie lektury w XXI wieku, 2021, s. 129-154

https://doi.org/10.4467/2084395XWI.21.033.15296

The (Non)involved Voice of the Other (Konrad Góra’s Nie)

This article sheds new light on Konrad Góra’s Nie (2016) in a sound studies’ perspective. It opposes putting the poetic volume as minorities’ voice of representation under the poetry of political involvement. Instead of allowing this, it proposes an interpretation of this book through the voice par excellence, which does not subordinate to speech and exists in his bodily, phonic shape. The point of departure is, firstly; a recognition that Nie subsists in intermedia realizations, which emphasize the significance of phonetic voice comprehension, secondly; an underline that starting this poetic volume by JiříKolář’s tale, make possible to perceive this one in the oral context. The proposal for interpretation exposes the new understanding of the notion of involvement in poetry. It means that the involvement is not the representation of the Other but his embodiment as the independent voice in the text.

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Krzysztof Sztafa

Wielogłos, Numer 4 (50) 2021: Poezja: strategie lektury w XXI wieku, 2021, s. 155-179

https://doi.org/10.4467/2084395XWI.21.034.15297

The Passion of Abolition. Introduction to the Poetic Register of Tomasz Pułka

The text is an attempt to outline the complex dynamics of Tomasz Pułka’s poetic register. This register is marked by a certain decaying tendency, as a result of which the exploration of “the poles of subjectivity” postulated by the poet is connected with the danger of losing control over a poem. In the face of the pressing “passion of the abolition” – understood in the aesthetic-existential context as the interruption of productive processes of subjectification – Pułka abandons formal discipline and returns to poems that are surprisingly transparent, almost confessional.

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Magdalena Zdrodowska

Wielogłos, Numer 4 (50) 2021: Poezja: strategie lektury w XXI wieku, 2021, s. 181-193

https://doi.org/10.4467/2084395XWI.21.035.15298

Staring at Extraordinary Bodies. On the Polish Translations of Rosemarie Garland-Thomson’s Books

Article reviews the Polish translation of two fundamental monographs in global disability studies scholarship: Extraordinary Bodies (1997) and Staring: How We Look (2009) by Rosemary Garland-Thomson. First, books are discussed in the context of global disability studies, with special attention paid to the influences of the theoretical and methodological frame of literary studies in the 1990s. Secondly, Polish translations are considered an important element of the current establishment of the field of disability studies in Polish academia.

* Artykuł powstał w wyniku realizacji projektu badawczego o nr 2019/35/B/HS2/02287 finansowanego ze środków Narodowego Centrum Nauki.

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Katarzyna Trzeciak

Wielogłos, Numer 4 (50) 2021: Poezja: strategie lektury w XXI wieku, 2021, s. 195-205

https://doi.org/10.4467/2084395XWI.21.036.15299

On the Genealogy of Polish Queerness. On Dezorientacje. Antologia polskiej literatury queer

The article is a review of the book Dezorientacje. Antologia polskiej literatury queer by Alessandro Amenta, Tomasz Kaliściak and Błażej Warkocki, which is the first anthology of Polish queer literature, gathering literary material from XVIIIth century to the present moment. The reviewer concerns particulary the introductory part of the anthology, and puts a few polemical questions around the book’s main assumptions.

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Informacje o finansowaniu

Publikacja dofinansowana przez Uniwersytet Jagielloński ze środków Wydziału Polonistyki.