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Virginia Woolf’s “Blue & Green” revisited: Dimensions of the research space

Data publikacji: 12.2020

Studia Linguistica Universitatis Iagellonicae Cracoviensis, 2020, Volume 137, Issue 4, s. 327 - 335

https://doi.org/10.4467/20834624SL.20.023.12985

Autorzy

Olga Vorobyova
Kyiv National Linguistic University, Velyka Vasylkivska St, 73, Kijów, Ukraina
https://orcid.org/0000-0001-9039-9737 Orcid
Wszystkie publikacje autora →

Tytuły

Virginia Woolf’s “Blue & Green” revisited: Dimensions of the research space

Abstrakt

This paper gives a survey of approaches to the analysis of Virginia Woolf’s “Blue & Green” (1921), a meditative sketch, a prose poem that belongs to experimental modernist prose, integrating various mimetic and diegetic techniques highlighting the issue of colour perception from its symbolic, eidetic, and intermedial perspectives tightly linked to the specificity of human imagination. The paper brings these research perspectives together, elaborating them to further introduce, in the forthcoming paper, a new vista of Woolf’s “Blue & Green” interpretation via the phenomenon of focus dissipation as a ludic narra­tive and/or mimetic technique based on text-driven attentional shifts.

* This paper is part of the project “Linguistics of Intermediality and the Challenges of Today: Polymodality of Mind, Intersemioticity of Text, Polylogue of Cultures” (Grant of Ministry of Education and Science of Ukraine, UkrRISTI Registration Number 0119U100934).

Bibliografia

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Benzel K.N. 2004. Verbal painting in “Blue & Green” and “Monday or Tuesday”. – Benzel K.N., Hoberman R. (eds.). Trespassing boundaries: Virginia Woolf's short fiction. New York: 157–174.

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Guiguet J. 1965. Virginia Woolf and her works. London.

Harry O. 2015. Colour and symbolism in Virginia Woolf’s “Blue and Green”. – Debating modernism. [http://debatingmodernism.blogspot.com/2015/02/colour-and-symbolism-in-virginia-wools.htm].

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Hussey M. 1995/2011. Virginia Woolf A to Z. London, New York.

Martin R.S. 2009. Fiction review: “Blue & Green” Virginia Woolf. [Originally published on Pol culture]. [available at: http://rsmwriter.blogspot.com/2009/12/fiction-review-blue-green-virginia-woolf.html]

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Morozova O. 2017. Transparency across semiotic modes. – Chrzanowska-Kluczewska E., Vorobyova O. (eds.). Language – literature – the arts: A cognitive-semiotic interface. Frank­furt am Main: 71–94. [= Chrzanowska-Kluczewska E., Witalisz W. (eds.). Text – meaning – context: Cracow studies in English language, literature and culture, vol. 14].

Shershnjova A.V. 2015. Obrazoyvotrnnja v anglomovnyh oriental’nyh poetychnyh miniatjurah: kognityvno-semiotychnyji aspekt. Kyijiv.

Skrbic N. 2004. Wild outbursts of freedom: Reading Virginia Woolf’s short fiction. London, Westport (CT).

VWSFA = Virginia Woolf short fiction analysis (Literary essentials: Short fiction master­pieces). [available at: https://www.enotes.com/topics/virginia-woolf/critical-essays].

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Woolf V. 2000. The waves. [Intr. and notes by Deborah Parsons]. Ware (Hertfordshire).

Informacje

Informacje: Studia Linguistica Universitatis Iagellonicae Cracoviensis, 2020, Volume 137, Issue 4, s. 327 - 335

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

Virginia Woolf’s “Blue & Green” revisited: Dimensions of the research space

Angielski:

Virginia Woolf’s “Blue & Green” revisited: Dimensions of the research space

Autorzy

https://orcid.org/0000-0001-9039-9737

Olga Vorobyova
Kyiv National Linguistic University, Velyka Vasylkivska St, 73, Kijów, Ukraina
https://orcid.org/0000-0001-9039-9737 Orcid
Wszystkie publikacje autora →

Kyiv National Linguistic University, Velyka Vasylkivska St, 73, Kijów, Ukraina

Publikacja: 12.2020

Status artykułu: Otwarte __T_UNLOCK

Licencja: CC BY-NC-ND  ikona licencji

Udział procentowy autorów:

Olga Vorobyova (Autor) - 100%

Korekty artykułu:

-

Języki publikacji:

Angielski