Navigating Policy and Practice: EU Cultural Sanctions in Response to Russia’s War against Ukraine
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RIS BIB ENDNOTEData publikacji: 11.12.2025
Santander Art and Culture Law Review, 2025, 2/2025 (11), s. 23-56
https://doi.org/10.4467/2450050XSNR.25.016.22681Autorzy
Navigating Policy and Practice: EU Cultural Sanctions in Response to Russia’s War against Ukraine
Russia’s full-scale invasion of Ukraine in February 2022 triggered a major shift in the EU’s external policy. The scope and brutality of the aggression, as well as the systemic looting and destruction of Ukraine’s cultural heritage, prompted a paradigm shift in the EU’s approach to international cultural relations. For the first time, cultural issues were addressed through EU sanctions adopted under the Common Foreign and Security Policy. Between 2022 and 2025, several sanctions packages introduced restrictive measures targeting three key areas related to culture: individual sanctions on Russian oligarchs – art collectors, restrictions on trade in cultural goods, and efforts to prevent the illicit export of Ukrainian heritage. The EU’s restrictive measures include sanctions against the Russian officials responsible for cultural appropriation and a museum involved in appropriating Ukrainian heritage in occupied Crimea.
Drawing on case studies and open-source investigations, the study examines the application of these sanctions and reflects on their emerging impact. While the freezing of assets (works of art) belonging to sanctioned oligarchs has proven difficult to enforce due to legal loopholes and opaque ownership structures, the trade sanctions have begun to limit Russian influence within the European art sector. The European art market has had to adjust to the absence of wealthy Russian clientele, and museum institutions have also reacted to the loss of Russian patrons. The economic and transport sanctions put a halt to European museums’ cooperation with their Russian partners, including inter-museum loans. The ban on trade in Ukrainian cultural goods of unclear provenance, in turn, was an important step for the EU in developing systemic solutions to help safeguard Ukraine’s cultural heritage. It also reinforced the Union’s mechanisms for combating the illicit trade in cultural property. Its effectiveness will rely on sustained legal development, international cooperation, and consistent application across Member States.
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Informacje: Santander Art and Culture Law Review, 2025, 2/2025 (11), s. 23-56
Typ artykułu: Oryginalny artykuł naukowy
Uniwersytet Warszawski
Polska
Publikacja: 11.12.2025
Status artykułu: Otwarte
Licencja: CC BY
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AngielskiLiczba wyświetleń: 2022
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