Instytut Kultury Uniwersytetu Jagiellońskiego
Piotr Marecki
Przegląd Kulturoznawczy, Numer 2 (24) , 2015, s. 108-125
https://doi.org/10.4467/20843860PK.14.007.3525Piotr Marecki
Zarządzanie w Kulturze, Tom 13, Numer 3, 2012, s. 273-279
https://doi.org/10.4467/20843976ZK.12.017.0631Dynamics of change, the utopia of modern Polish cinema
The author of the article analyzes the spheres of film, independent cinema, new models of production and distribution, and new technology. The author puts particular emphasis on studying the socalled principles of the reverse economy. The term ‘reverse economy’ has originated from Pierre Bourdieu’s sociological concept of fields of cultural production. It signifies the inversely proportional principle of culture management: according to this rule, investing relatively little real capital generates a large capital of symbolic value. The main difference between fields of cultural production and any kind of economically-oriented field is based on the fact, that symbolic capital is – as opposed to the ‘real’ one – financially incalculable. In the fields of cultural production the greatest importance is attached to experimental and innovative projects designed to disturb the cultural status quo, whose constitution is always a fatal threat to culture itself. The article also proves that low budgets lead to the creation of new production models, and their influence on the autonomy of creativity in film.
Piotr Marecki
Zarządzanie w Kulturze, Tom 16, Numer 4, 2015, s. 341-356
https://doi.org/10.4467/20843976ZK.15.023.3780Jan Krasnowolski: minimalism and declassation
Borrowing tools from Pierre Bourdieu's theory of class struggle, the authors of the article analyze strategies of declassation on the example of the biography of the writer Jan Krasnowolski, and study the effects of this decision on both his texts and the construction of his image. The process of class change, of going from the privileged position of intelligentsia to the position of the working class, is presented as a kind of conscious (in a way also esthetic) choice, motivated by factors like the will to acquire new experience that is inaccessible to the higher classes. The authors of the article analyze literary texts by Krasnowolski (consistent minimalism as opposed to sublime excess; masculine, stereotypically presented topics), their adherence to genres (lad lit, a kind of literature for men), as well as the author's interviews and statements, and paratexts like biographical notes on the covers of books. Other tools used for the analysis of the phenomenon of declassation include the findings of the empirical research on classes in Polish society after 1989 conducted by Maciej Gdula.
Piotr Marecki
Przegląd Kulturoznawczy, Numer 1 (19) , 2014, s. 98-105
https://doi.org/10.4467/20843860PK.13.009.2858Niniejszy tekst jest zapisem rozmowy z Józefem Żukiem Piwkowskim, fotografem, filmowcem, artystą wizulanym pracującym obecnie w polu mediów cyfrowych, twórcą Warszatu Nowych Mediów w Szkole Filmowej w Łodzi.
Piotr Marecki
Zarządzanie w Kulturze, Tom 15, Numer 4, 2014, s. 377-384
https://doi.org/10.4467/20843976zk.14.026.2317The author describes the dynamics of change and rules of innovation in the Polish post-1989 literary field, applying tools from Pierre Bourdieu’s sociology of art. The starting point is the work of the first generation of Polish writers born after 1989, raised as European citizens with no memory of communism (e.g. Dominika Ożarowska, Dominika Dymińska, Daniel Kot). Their projects are shown as innovative and distinct from the previous literary movements, established and consecrated in the 1990s and early 2000s.
Piotr Marecki
Przegląd Kulturoznawczy, Numer 3 (33), 2017, s. 334-349
https://doi.org/10.4467/20843860PK.17.023.7793Piotr Marecki
Przegląd Kulturoznawczy, Numer 2 (40), 2019, s. 229-243
https://doi.org/10.4467/20843860PK.19.013.10908Piotr Marecki
Romanica Cracoviensia, Tom 15, Numer 1, Tom 15 (2015), s. 64-74
https://doi.org/10.4467/20843917RC.15.005.4002The purpose of this study is to show the basic semantic as well syntactic similarities and differences of predicates of psych verbs in Spanish and Polish.