@article{f9b5991b-0015-44f5-bd54-8080c35a89f7,
author = {Jolanta Bujas},
title = {Missa in Dis Antoniego Milwida (1755–1837) w kontekście repertuaru kapeli klasztornej z Czerwińska nad Wisłą},
journal = {Kwartalnik Młodych Muzykologów UJ},
volume = {2019},
number = {Numer 41 (2/2019)},
year = {2019},
issn = {2956-4107},
pages = {43-72},keywords = {Antoni Milwid; Polish music; church music; Czerwińsk},
abstract = {Missa in Dis by Antoni Milwid (1755–1837) in the Context of the Repertoire of the Monastery’s Chapel from Czerwińsk

	The musical life of Czerwińsk nad Wisłą at the turn of the 18th and 19th centuries was strictly connected with the artistic activity of Antoni Milwid (1755–1837), a composer and organist. Although there are ten compositions signed with his name preserved in the collection of the monastery’s chapel as well as other manuscripts seemingly written with his hand, the religious output of the composer has not been investigated so far.

	The article discusses briefly the activity of Czerwińsk’s chapel during the difficult time of the partitions of Poland and secularisation of the monastery, sketching its repertoire based on preserved manuscripts. Then, Antoni Milwid’s life and art is presented in the light of accessible sources. Finally, Missa in Dis CZs Rps 5 from Czerwinsk’s collection is analysed in terms of its form, melody, rhythm, harmony and instrumentation, what allows the author to draw general conclusions concerning the compositional workshop of Antoni Milwid. },
doi = {10.4467/23537094KMMUJ.19.006.10813},
url = {https://ejournals.eu/czasopismo/kmmuj/artykul/missa-in-dis-antoniego-milwida-1755-1837-w-kontekscie-repertuaru-kapeli-klasztornej-z-czerwinska-nad-wisla}
}