@article{eeb4a227-62bd-4be3-a8f1-73bde4e4185f,
author = {Maciej  Skowera},
title = {Model baśni filmowej w złotym wieku wytwórni Walta Disneya (wraz z późniejszymi modyfikacjami)},
journal = {Wielogłos},
volume = {2021},
number = {Numer 1 (47) 2021},
year = {2021},
issn = {1897-1962},
pages = {151-181},keywords = {baśń filmowa; baśń literacka; Disnejowski renesans; Disnejowskie przebudzenie; Disnejowski złoty wiek; pełnometrażowy film animowany; Walt Disney; film fairy tale; literary fairy tale; Disney Renaissance; Disney Revival; Disney Golden Age; feature animation; Walt Disney},
abstract = {Model of a Film Fairy Tale in the Disney Golden Age (with Later Modifications)

	The article attempts to determine the constitutive elements of a model film fairy tale in the so-called Disney Golden Age and to examine how it was used in later works, both these created by the studio and those by unrelated creators. After preliminary remarks, the author analyses three feature-length animated films: Snow White and the Seven Dwarfs (1937), Cinderella (1950), and Sleeping Beauty (1959). In these works, as he notes, one can notice a set of features that make up the classic Disney model of a film fairy tale. Next, the author discusses modifications applied to the pattern during the Disney Renaissance and Revival. Finally, he cites examples of cultural texts polemical to this paradigm which point to the cultural vitality and heterogeneity of the studio’s films.},
doi = {10.4467/2084395XWI.21.007.13582},
url = {https://ejournals.eu/czasopismo/wieloglos/artykul/model-basni-filmowej-w-zlotym-wieku-wytworni-walta-disneya-wraz-z-pozniejszymi-modyfikacjami}
}