Aries P., Western attitudes toward death: from the Middle Ages to the present, Baltimore 1974; Polish edition (transl. K. Marczewska): Rozważania o historii śmierci, Warszawa 2007. Bartel D., Musica poetica: Musical-Rhetorical Figures in German Baroque Music, Lincoln 1997. Bauman Z., Mortality, Immortality and Other Life Strategies, Stanford, Calif. 1992; Polish edition (transl. N. Leśniewski): Śmierć i nieśmiertelność. O wielości strategii życia, Warszawa 1998. Brelet G., Le temps musical: essai d’une esthetique nouvelle de la musique. [Vol.] 2, La forme musicale, Paris 1949. Brelet G., Musique et silence, “Revue Musicale” 1946, Vol. 22, No. 200. Reprinted as Music and Silence, in: Reflections on Art: A Source Book of Writings by Artists, Critics, and Philosophers, red. S.K. Langer (ed.), New York 1968. Brelet G., Musiques exotiques et valeurs permanentes de l’art musical, “Revue Philosophique de la France et de l’Étranger” 1946, Vol. 136, No. 1/3. Cage J., Silence. Lectures and writings, Middletown, Conn. 1973 (First printing 1961). Fubini E., History of music aesthetics, London 1990. Harris E.T., Silence as Sound: Handel’s Sublime Pauses, “The Journal of Musicology” 2005, Vol. 22, No. 4. Holy Bible, New International Version®, NIV® Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.®, [online] http://www.biblica.com [accessed: 04.04.2016]. Johnson J., Webern and the Transformation of Nature, Cambridge 1999. Keene D., Japanese Aesthetics, “Philosophy East and West” 1969, Vol. 19, No. 3. Lee Chenette J., The concept of ma and the music of Takemitsu, Grinnell 1985. Link S., Going gently: contemplating silences and cinematic death, in: Silence, music, silent music, N. Losseff, J. Doctor (eds.), Aldershot –Burlington 2007. Littlefield R., The Silence of the Frames, “Music Theory Online” 1996, Vol. 2, No. 1, [online] http://www.mtosmt.org/issues/mto.96.2.1/mto.96.2.1.littlefield.html [accessed: 04.04.2016]. Metzer D., Modern Silence, “The Journal of Musicology” 2006, Vol. 23, No. 3. Modi J.J., The Religious Ceremonies and Customs of the Parsees, Bombay 1937, [online] http://www.avesta.org/ritual/rcc1937.pdf [accessed: 04.04.2016]. Park J. Y, Buddhism and postmodernity. Zen, Huayan, and the possibility of Buddhist postmodern ethics, Lanham 2008, pp. 11–30 (Chapter 1: The Silence of the Buddha). Pärt A., Cantus in Memoriam Benjamin Britten (score), Universal Edition, Wien 1981. Peek P., Re-Sounding Silences, in: Sound, P. Kruth, H. Stobart (eds.), Cambridge 2000. Rousseau J.-J., Ch.E. Butterworth (transl.), The reveries of the solitary walker, Indianapolis 1992. Sakamoto M., Takemitsu and the Influence of “Cage Shock”: Transforming the Japanese Ideology into Music, unpublished Ph.D. Thesis, Lincoln, Nebraska 2010, [online] http://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=1022&context=musicstudent [accessed: 04.04.2016]. Schafer R.M., The soundscape: our sonic environment and the tuning of the world, Rocherster, Verm. 1994. Skupin R., Muzyka ciszy i cisza w muzyce kultur Orientu, in: Wokół ciszy. W stulecie urodzin Johna Cage’a, M. Grajter (ed.), Łódź 2013. Takemitsu T., About ‘Marginalia’, in: “Takemitsu Toru Chosakushu”, Vol. 2, Y. Chayama and M. Kimura (transl.; as cited in: Y. Chayama, The Influence of Modern Art on Toru Takemitsu’s Works for Piano, The University of Arizona 2013, p. 96). Takemitsu T.; Y. Kakudo, G. Glasow (transl. and eds.), Confronting Silence. Selected Writings, Berkeley 1995 Vovelle M., La Mort et l’Occident de 1300 a nos jours, Paris 1983; réed. 2001.; Polish edition (transl. T. Swoboda et al.): Śmierć w cywilizacji Zachodu. Od roku 1300 po wspołczesność, Gdańsk 2004.