Barthelme D., The Teachings of Don B.: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme, ed. K. Herzinger, Counterpoint, Berkeley 1992. Cornell J., L’Egypte de Mlle Cléo de Mérode: cours élémentaire d’Histoire Naturelle, 1940. Derrida J., Signature event context, “Glyph” 1977, no. 1, p. 172–197. Duchamp M., L.H.O.O.Q, Objet trouvé. Current location and provenance unknown, 1919. Ernst M., Histoire Naturelle (Natural History), 1926. Genette G., Paratexts: Thresholds of Interpretation, trans. J.E. Lewin, Cambridge UP, ­Cambridge 1997. Heitkemper-Yates M., Irregular Illuminations: Distortions of Meaning & Metaphor in the Collage Narratives of Donald Barthelme, [in:] M. Heitkemper-Yates, K. Kaczmarczyk (eds.), Learning to See: The Meanings, Modes, and Methods of Visual Literacy, Inter-Disciplinary Press, Oxford 2014, p. 101–110. Kuspit D., Using Art to Laugh Oneself Sick: Two Examples of Punning in Early Avant-Garde Art, “Art Criticism” 1998, no 13 (1), p. 107–124. Lévi-Strauss C., The Raw and the Cooked: Introduction to a Science of Mythology, trans. J. Weightman, D. Weightman, Harper Colophon, New York 1975. Olsen L., Fourteen Notes Toward the Musicality of Creative Disjunction, or Fiction by Col­lage, [in:] R.M. Berry, J.R. Di Leo(eds.), Fiction’s Present: Situating Contemporary Narrative Innovation, SUNY Albany 2008, p. 185–190. Phelan J., Rhetorical Approaches to Narrative, [in:] D. Herman, M. Jahn, M.-L. Ryan (eds.), Routledge Encyclopedia of Narrative Theory, Routledge, London 2008, p. 500–504. Ulmer G.L., The Object of Post-Criticism, [in:] H. Foster(ed.), The Anti-Aesthetic: Essays on Postmodern Culture, Bay Press, Port Townsend 1983, p. 83–110. Ware Ch., Building Stories, Pantheon, New York 2012.