@article{c418f4d0-483c-428c-a900-42b7b697fc7a,
author = {Robert  Rogoziecki},
title = {Stefana Morawskiego wizja sztuki masowej i estetyzacji świata – uwagi krytyczne},
journal = {Przegląd Kulturoznawczy},
volume = {2021},
number = {Numer 4 (50)  „Nowe strategie doświadczania kultury”},
year = {2021},
issn = {1895-975X},
pages = {783-801},keywords = {aesthetic value; aestheticization; aura; consumption; mass art},
abstract = {Stefan Morawski’s Concept of Mass Art and Aestheticization of the World – Critical Reflections

	The text considers the concept of aestheticization and the influence of mass culture on it in the light of Stefan Morawski’s views. Morawski adopted a value-laden attitude towards mass art. That is why in his reflections on aestheticization processes its role remains unnoticed by him, contrary to his original declarations. This is why I have to ask Morawski questions that he leaves unanswered. Does in fact the spectacularity of contemporary life result in its “art-like” constitution? The author of the essay gives a positive answer here, stressing that mass art becomes the model for shaping life, and tries to answer what this pattern is based on. Thus Morawski’s views appear here as a negative point of reference. The positive part of the considerations, on the other hand, focuses on Walter Benjamin and Jean Baudrillard.},
doi = {10.4467/20843860PK.21.054.14971},
url = {https://ejournals.eu/czasopismo/przeglad-kulturoznawczy/artykul/stefana-morawskiego-wizja-sztuki-masowej-i-estetyzacji-swiata-uwagi-krytyczne}
}