TY - JOUR
TI - Doświadczenie Zagłady w Ocalałym z Warszawy op. 46 Arnolda Schönberga: geneza, dzieło, interpretacja
AU - Bętkowska-Korpała, Barbara
TI - Doświadczenie Zagłady w Ocalałym z Warszawy op. 46 Arnolda Schönberga: geneza, dzieło, interpretacja
AB - 
	The Holocaust Experience in Arnold Schoenberg’s ‘A Survivor from Warsaw’ Op. 46: Origins, Work, Interpretation

	The purpose of this paper is to examine the way in which the experience of the Holocaust can be represented, embodied and even relived in or through music. The category of experience thus serves as a main methodological tool in this survey, helping to reconstitute the proces of expressing it through music, specifically in Arnold Schoenberg’s A Survivor from Warsaw Op. 46. A related point to consider is the composer’s engagement in the fight for human rights just before the World War II, a fact that is not yet widely recognized. A brief overview of Schoenberg’s religious, social, and political environment is followed by the history of the Survivor’s... origins, analysis of its literary text, and, finally, interpretation. While discussing the ethical limits of the Holocaust representation, the opinions of Theodor W. Adorno, Ernst van Alphen, Berel Lang, and Giorgio Agamben are consulted.
VL - 2016
IS - Numer 29 (2/2016)
PY - 2018
SN - 2956-4107
C1 - 2353-7094
SP - 4
EP - 30
DO - 10.4467/23537094KMMUJ.16.005.8044
UR - https://ejournals.eu/czasopismo/kmmuj/artykul/doswiadczenie-zaglady-w-ocalalym-z-warszawy-op-46-arnolda-schonberga-geneza-dzielo-interpretacja
KW - Arnold Schoenberg
KW - A Survivor from Warsaw
KW - Holocaust
KW - experience
KW - representation