TY - JOUR
TI - Shamil:Concept, Practice and Reception of a Nigunin Habad Hasidism
AU - Seroussi, Edwin
TI - Shamil:Concept, Practice and Reception of a Nigunin Habad Hasidism
AB - 
	The article discusses the conception, performance and reception of nigun Shamil as a representative case of the social, literary and technological mechanisms that characterize music in Habad, past and present. The author argues for the centrality of non-accompanied, mostly wordless vocal tunes performed by the Hasidic masters such as the Lubavitcher Rebbe, as a main vehicle for the articulation of both the heightening of mystical experience and the teaching of Hasidism.
VL - 2017
IS - Nr 2 (40)
PY - 2018
SN - 1506-9729
C1 - 2450-0100
SP - 287
EP - 306
DO - 10.4467/24500100STJ.17.013.8248
UR - https://ejournals.eu/czasopismo/studia-judaica/artykul/shamil-concept-practice-and-reception-of-a-nigunin-habad-hasidism
KW - Hasidism
KW - music
KW - nigun
KW - Shamil
KW - Habad