@article{8e4d6bd4-d895-44bb-823e-f2121c40d445,
author = {Manuel Antonio Dominguez Salas},
title = {Teoria kompozycji discontinuum-continuum meksykańskiego kompozytora Julio Estrady},
journal = {Kwartalnik Młodych Muzykologów UJ},
volume = {2017},
number = {Numer 32 (1/2017)},
year = {2017},
issn = {2956-4107},
pages = {109-123},keywords = {Julio Estrada; discontinuum-continuum; macro-timbre; contemporary Mexican music},
abstract = {The Julio Estrada’s output is still the unexplored area, what creates the opportunity to study the phenomenon called discontinuum-continuum. During the last 36 years of the creative activity, Estrada has developed several aspects of the macro timbre that integrate several compounds of a composition. In his research, Estrada confronts two different situations in the compositional process: continuous transformation of the sound and chronographical method, using strictly defined recording process in order to receive three-dimensional movements of the sound in the topological order. As a result of existing these two situations, a musical work is impossible to be defined by one technique or musical style. Examination of the theory of composition called discontinuum-continuum allows one to understand a new methodology of musical creation that involves scientific research of the physical phenomenon of sound and introspection of the imagination of the sound.},
doi = {10.4467/23537094KMMUJ.17.006.7835},
url = {https://ejournals.eu/czasopismo/kmmuj/artykul/teoria-kompozycji-discontinuum-continuum-meksykanskiego-kompozytora-julio-estrady}
}