@article{7d8d8875-52ee-4d5f-b5ff-c8f134acbc17,
author = {Joanna  Pypłacz},
title = {Lucan’s Use of Alliteration},
journal = {Studia Litteraria Universitatis Iagellonicae Cracoviensis},
volume = {2016},
number = {Volume 11, Issue 4},
year = {2016},
issn = {1897-3035},
pages = {231-245},keywords = {Lucan; alliteration; Pharsalia; allusion; association; sound eff ect; fi gure of speech; intertextuality},
abstract = {The present article gives a rough outline of Lucan’s use of alliteration by attempting to discover the most important functions of this particular rhetorical device in his epic. For the sake of clarity, the instances of alliteration that are found in the epic are divided into three groups: ‘pure’ (of one and the same consonant), ‘mixed’ (of two or more consonants) and ‘combined’ (accompanied by other rhetorical devices). Lucan’s use of alliteration is shown to extend far beyond the achievement of an instantaneous sound effect at the level of a single line or even a single passage. In several cases, alliteration is used as a means of association in order to allow the poet to connect passages that seemingly have nothing in common. This in turn leads to the conclusion that Lucan’s compositional scheme – based on allusions and association – is present even at the level of the phoneme.
	 },
doi = {10.4467/20843933ST.16.021.5926},
url = {https://ejournals.eu/czasopismo/studia-litteraria-uic/artykul/lucans-use-of-alliteration}
}