TY - JOUR
TI - Kinowa transcendencja czasu
AU - Frąc, Waldemar
TI - Kinowa transcendencja czasu
AB - 
	Cinema Transcendence of Time

	Experience of time in cinema is a paradox. Cinema as a time art makes temporal transcendence. Film as a kind of Nietzsche’s eternal return determines subjective experience of time. According to A. Pawełczyńska it is possible to indicate three essential ways of understanding of time in cinema: substantialist, attributive and subjective. Deleuze’s theory of time in cinema represents subjective approach. According to Bergson time is creation therefore cinema must be based on a transcendence of time.
	 
VL - 2015
IS - Numer 2 (24)
PY - 2015
SN - 1895-975X
C1 - 2084-3860
SP - 97
EP - 107
DO - 10.4467/20843860PK.14.006.3524
UR - https://ejournals.eu/czasopismo/przeglad-kulturoznawczy/artykul/kinowa-transcendencja-czasu
KW - cinema
KW - philosophy
KW - ontology
KW - time
KW - eternal return
KW - Bergson
KW - Deleuze