TY - JOUR
TI - Pieśni ekstatycznej rozpaczy. Miłosz i kontrkultura
AU - Jaworski, Marcin
TI - Pieśni ekstatycznej rozpaczy. Miłosz i kontrkultura
AB - 
	SONGS OF ECSTATIC DESPAIR. MIŁOSZ AND COUNTERCULTURE
	This article discusses the relationship between American counterculture of the 1960s and Miłosz’s poetry created during that time in Berkeley. The poet observes the student revolt through the prism of his own experience with history, including his leftist sympathies. He is critical both of the naïve hippie postulates and Herbert Marcuse’s new version of Marxism. However, he treats counterculture as a symptomatic response to vital problems of the Western civilization of the second half of the twentieth century. He considers the infl uence of art on power, totalitarian as well as democratic. He sees the necessity of commitment, though he asks about its form and effects. Countercultural experiments coincide also with Miłosz’s own search for “a more capacious form” and with the epiphanies described in his poems.
VL - 2011
IS - Numer 25 – Między Miłoszem a Miłoszem
PY - 2012
SN - 1425-6851
C1 - 1689-1864
SP - 155
EP - 164
DO - 10.4467/16891864PC.12.010.0437
UR - https://ejournals.eu/czasopismo/przekladaniec/artykul/piesni-ekstatycznej-rozpaczy-milosz-i-kontrkultura
KW - Czesław Miłosz
KW - counterculture
KW - engaged literature
KW - Marxism
KW - epiphany