@article{601d7a2f-0979-4e8a-a003-ceee456c29cc,
author = {Karolina Górniak-Prasnal},
title = {Rzeczy, które się do nas zbliżają – Anaglify Krystyny Miłobędzkiej},
journal = {Wielogłos},
volume = {2017},
number = {Numer 2 (32) 2017},
year = {2017},
issn = {1897-1962},
pages = {53-67},keywords = {awangarda; Martin Heidegger; Krystyna Miłobędzka; modernizm; poezja polska XX wieku; zwrot ku rzeczom},
abstract = {The article is focused on the early poetry of Krystyna Miłobędzka viewed from

	the perspective of the so-called turn towards the things context known from the literary

	and anthropological studies. The prose poems from Miłobędzka’s debut called

	Anaglify are chosen for analysis and interpretation. The author discusses the most crucial

	elements of the background of the texts: the circumstances of Miłobędzka’s debut,

	consequences of the events of 1956 and the turn towards ordinary things and daily

	life in the Polish poetry of 1960s. Miłobędzka’s attitude to the material world is presented

	in the light of the beginnings of modernism (C.K. Norwid) and the postwar poetry

	concerned with the “life” of objects (M. Białoszewski, Z. Herbert, T. Różewicz).

	The poetic contemplation of the world of things in Anaglify is confronted with the late

	philosophy of Martin Heidegger, especially his considerations about the Tool-Being

	and Thing. Miłobędzka explores the relations between humans and objects, taking

	the non-anthropocentric perspective and trying to capture the essence of their and our

	being-in-the-world. In her poetic vision, the thing seems to be released from the obligation

	to be ready-to-hand and reveals its individual dimension of “being.”},
doi = {10.4467/2084395XWI.17.012.7770},
url = {https://ejournals.eu/czasopismo/wieloglos/artykul/rzeczy-ktore-sie-do-nas-zblizaja-anaglify-krystyny-milobedzkiej}
}