%0 Journal Article
%T Transkrypcje. Tradycja i eksperyment w polskich powojennych wierszach-partyturach
%A Bogalecki, Piotr
%J Wielogłos
%V 2017
%R 10.4467/2084395XWI.17.009.7767
%N Numer 2 (32) 2017
%P 1-27
%K polska poezja eksperymentalna, partytura, muzyczność literacka, awangarda, neoawangarda, intermedia
%@ 1897-1962
%D 2017
%U https://ejournals.eu/czasopismo/wieloglos/artykul/transkrypcje-tradycja-i-eksperyment-w-polskich-powojennych-wierszach-partyturach
%X 




	The article is focused on the score-poems – experimental poetic texts which use a musical

	score as the interpretant (in M. Riffaterre’s understanding of the notion), whether

	as the idea or in one of its historically developed forms. The first section of the article

	situates the avant-garde and post-avant-garde specimens of such texts against the backdrop

	of the avant-garde dialectics of tradition and experiment. In the second and more

	substantial part, having observed the low representation of score-poems in the Polish

	poetry of the interwar period, the author attempts to introduce an ordered perspective into

	the field of Polish post-1945 score-poems with regard to their authors’ relation to the tradition

	of avant-garde experiment they came in contact with. The proposed typology

	of interpretative styles within this tradition identifies five approaches, or models: research

	(M. Białoszewski, M. Grześczak, S. Czycz), continuation (S. Themerson, J. Bujnowski), access

	(W. Wirpsza), critique (A. Partum) and selection (R. Nowakowski, A. Sosnowski).