Benjamin W., “The Work of Art in the Age of Mechanical Reproduction” (1936), transl. by H. Zohn, in: W. Benjamin, Illuminations, ed. by H. Arendt, New York: Schocken Books, 1968. Crary J., 24/7: Late Capitalism and the Ends of Sleep, London & New York: Verso, 2013.  Drucker J., “Art”, in: Critical Terms for Media Studies, ed. by W.J.T. Mitchell, M.B.N. Hansen, Chicago & London: The University of Chicago Press, 2010. Five Dedicated to Ozu (2003, Abbas Kiarostami). I Don’t Want to Sleep Alone (2006, Tsai Ming-liang). Joseph B.W., “The Play of Repetition: Andy Warhol’s Sleep”, Grey Room 2005, no. 19. Kracauer S., “Cult of Distraction: On Berlin’s Picture Palaces” (1926), transl. by T.Y. Levin, New German Critique 1987, no. 40. Lim S.H., “Temporal Aesthetics of Drifting: Tsai Ming-liang and a Cinema of Slowness”, in: Slow Cinema, ed. by T. de Luca, N. Barradas Jorge, Edinburgh: Edinburgh University Press, 2016. Lim S.H., Tsai Ming-liang and a Cinema of Slowness, Honolulu: University of Hawai’i Press, 2014. Merleau-Ponty M., “The Film and the New Psychology” (1948), transl. by H.L. Dreyfus, P. Allen Dreyfus, in: M. Merleau-Ponty, Sense and Non-Sense, Evanston: Northwestern University Press, 1964. Remes J., “Motion(less) Pictures: The Cinema of Stasis”, British Journal of Aesthetics 2012, vol. 52, iss. 3. Remes J., Motion(less) Pictures: The Cinema of Stasis, New York: Columbia University Press, 2015. Remes J., “Serious Immobilities: Andy Warhol, Erik Satie and the Furniture Film”, Screen 2014, vol. 55, iss. 4. Remes J., “The Sleeping Spectator: Non-Human Aesthetics in Abbas Kiarostami’s Five: Dedicated to Ozu”, in: Slow Cinema, ed. by T. de Luca, N. Barradas Jorge, Edinburgh: Edinburgh University Press, 2016. Schoonover K., “Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer”, Framework 2012, vol. 53, no. 1. Sleep (1963, Andy Warhol). Umberto D. (1952, Vittorio De Sica). Walsh M., “The First Durational Cinema and the Real of Time”, in: Slow Cinema, ed. by T. de Luca, N. Barradas Jorge, Edinburgh: Edinburgh University Press, 2016.