TY - JOUR
TI - Fizjologia i ergonomia gry na fortepianie
AU - Tworko, Paulina
TI - Fizjologia i ergonomia gry na fortepianie
AB - 
	Ergonomics and Physiology of Piano Playing

	Much has been said about performance, styles and interpretation. However, we should ask ourselves where they come from, what they depend on, and what factors influence them. The answer is much more complex. This article deals with the problem of piano technique as an element on which interpretation, sound and expression depend to a large extent. The piano is an instrument with incredible tonal possibilities, but it requires fingering skills, the ability to “feel” the key and certain physical strength which is directly related to the technique we use. Achieving a high level in playing requires years of diligent work, perseverance and determination. Technical proficiency, in turn, facilitates the expression and appropriate interpretation, in line with the style of a given musical period and the feelings of the pianist-performer. So we are talking about two things that inexorably influence each other – the workshop and its result, the  hape of latter depends largely on the first. This article deepens the knowledge of piano workshop so that in the end nothing comes in the way between performers, listeners and music.
VL - 2020
IS - Numer 47 (4/2020)
PY - 2020
SN - 2956-4107
C1 - 2353-7094
SP - 229
EP - 254
DO - 10.4467/23537094KMMUJ.20.025.13211
UR - https://ejournals.eu/czasopismo/kmmuj/artykul/fizjologia-i-ergonomia-gry-na-fortepianie
KW - piano playing technique
KW - piano workshop
KW - pianist’s hand