@article{44ba7edc-b707-4bf8-8e48-4463f7cbe843,
author = {Joanna  Orska},
title = {Próby nowej krytyki},
journal = {Wielogłos},
volume = {2011},
number = {Numer 1 (9) 2011: Świadomość krytyki},
year = {2011},
issn = {1897-1962},
pages = {85-95},keywords = {krytyka literacka; estetyka; zaangażowanie; polityczność; kultura popularna/ literary criticism; aesthetics; engagement; the political; popular culture},
abstract = {New Criticism Attempts
	The article constitutes a polemic with two critical books containing a proposition of a different, extra-institutional conception of literary narration. Joanna Mueller’s publication entitled Stratygrafie constitutes an attempt to create a comprehensive mythology of the world, one whose genome would be made up of poetry. According to the principle which unifies various experiences, a poetic work would contain senses which an active reading – understood here rather in the categories of a fertile „aberration” than in the sense of traditional reading with understanding – should only make present. In turn, in Anna Kałuża’s Bumerang (Boomerang), the phenomenon of poetic art is treated in anti-creative categories and is rather bound up with communication, as well as with socio-political contexts. Kałuża reiterates after Wolfgang Welsh that we are currently living in an era of post-demystification and whenever reality, which is created for us by pop culture, assumes in its entirety the shape of an aesthetic construct, there is no possibility of transgressing the boundary-line between art and life.},
doi = {10.4467/2084395XWI.11.001.0317},
url = {https://ejournals.eu/czasopismo/wieloglos/artykul/proby-nowej-krytyki}
}