@article{41e316d0-3551-48dc-ad58-be6d63e132c3,
author = {Piotr Michałowski},
title = {Z czego się śmieje wiersz Różewicza?},
journal = {Wielogłos},
volume = {2022},
number = {Numer 2 (52) 2022: Wokół Różewicza. O śmiechu, fotografiach i głosie},
year = {2022},
issn = {1897-1962},
pages = {23-38},keywords = {Tadeusz Różewicz; śmiech; śmieszność; humor; błazen; Tadeusz Różewicz; laughter; ridicule; humour; jester},
abstract = {What is Różewicz Laughing about?

	An overview of motifs appearing in Tadeusz Różewicz’s poetry such as these of “jester” and “clownery,” “smile,” “laughter” and “mockery” serves as a background for the title reflection, in which the questions of affirmation of someone else’s joy of life; acceptance for ludic laughter; therapeutic role of laughter in face of war trauma; and satirical distance from the observed events come to the forefront. In Różewicz’s oeuvre, a meta-poetic reflexion on the role of laughter in poetry appears from the very beginning as well. The laughter means here the critique or the negation of poetry and the poet; irony and self-mockery – of different type and of different reach that go to the extremes of negative self-topicality. Ridicule of a poem becomes a leitmotif in the late oeuvre of Różewicz as its loudest manifestations are contained in the volume Płaskorzeźba [Bas-relief].},
doi = {10.4467/2084395XWI.22.002.15875},
url = {https://ejournals.eu/czasopismo/wieloglos/artykul/z-czego-sie-smieje-wiersz-rozewicza}
}