TY - JOUR
TI - Eugène Demolder et les lettres françaises de Belgique
AU - Lysoe, Eric
TI - Eugène Demolder et les lettres françaises de Belgique
AB - 
	Because it celebrates bygone times through the image given of them by “Flemish” painters, Eugene Demolder’s work offers the most complete expression of mythical representations of Belgium. However, itfully enrolls in a literary system which – unlike the onetaking place at that time in Paris – rejects any form of polarization to freely combine naturalist and symbolist inspiration veins. The analysis of the tales collected in Quatuor highlights this phenomenon, and particularly the first of them: La Femme au masque.
	 
VL - Tom 16 (2016)
IS - Tom 16, Numer 1
PY - 2016
SN - 1732-8705
C1 - 2084-3917
SP - 7
EP - 23
DO - 10.4467/20843917RC.16.001.5694
UR - https://ejournals.eu/czasopismo/romanica-cracoviensia/artykul/eugene-demolder-et-les-lettres-francaises-de-belgique
KW - Charles de Coster
KW - Théophile Gautier
KW - Germaine de Staël
KW - La Légende d’Ulenspiegel
KW - David Teniers (Téniers)
KW - Charles Baudelaire
KW - Jules Huret
KW - Naturalism
KW - Symbolism
KW - Parnasse
KW - Zola
KW - Mallarmé
KW - Maupassant
KW - Contes d’Yperdamme
KW - Félicien Rops
KW - polarization