@article{24dfb978-f316-48ef-83c6-c231fe4c8ad6,
author = {Patrícia Vieira, Łukasz Kraj},
title = {Fitografia: literatura jako pisanie roślin},
journal = {Wielogłos},
volume = {2022},
number = {Numer 1 (51) 2022: Ludzkie, pozaludzkie, postludzkie},
year = {2022},
issn = {1897-1962},
pages = {31-48},keywords = {signatura rerum; język rzeczy; prapismo; fitografia; krytyczne studia nad roślinami; powieść dżungli; signatura rerum; language of things; arche-writing; phytographia; critical plant studies; jungle novel},
abstract = {Phytographia: Literature as Plant Writing

	This article develops the notion of plant writing or phytographia, the roots of which go back to the early modern concept of signatura rerum, as well as, more recently, to Walter Benjamin’s idea of a “language of things”and to Jacques Derrida’s arche-writing. Phytographia designates the encounter between the plants’inscription in the world and the traces of that imprint left in literary works, mediated by the artistic perspective of the author. The final section of the essay turns to the so-called “jungle novel,”set in the Amazonian rainforest, as an instantiation of phytographia.},
doi = {10.4467/2084395XWI.22.009.16602},
url = {https://ejournals.eu/czasopismo/wieloglos/artykul/fitografia-literatura-jako-pisanie-roslin}
}