%0 Journal Article
%T Pisanie performatywne (Głosy i performanse tekstów. Literatura – piosenki – ciało Pawła Tańskiego)
%A Urbańska, Magdalena
%J Przegląd Kulturoznawczy
%V 2021
%R 10.4467/20843860PK.21.046.14366
%N Numer 3 (49)  „Powrót futuryzmów”
%P 667-675
%K performance, songs, performance studies, song lyrics studies, performative writing
%@ 1895-975X
%D 2021
%U https://ejournals.eu/czasopismo/przeglad-kulturoznawczy/artykul/pisanie-performatywne-glosy-i-performanse-tekstow-literatura-piosenki-cialo-pawla-tanskiego
%X 
	The review focuses on the analysis of PawełTański’s book Głosy i performanse tekstów. Literatura – piosenki – ciało [Voices and Performances of Texts: Literature – Songs – Body]. Contrary to the title, textual analysis overwhelmingly prevails over performance studies in Tański’s work which also abstains from research into this field. The author carries out a sketchy review of cultural texts – mainly poetry and songs. In my article I examine Tański’s study, with particular attention to his favourite motifs, i.e. self-referentiality, love for poetry and counter-culture. As the author often reduces scientific description to emotional interpretation and expresses personal preferences in an exaggeratedly emotional form, the reader receives a cumulative expression of love for literature in the form of a report from the inside. This is also evidenced by the number of literary references and extensive citations. In my review, I critically follow this affective delight, and recognise Tański’s analyses to not only be personally tinged but also to draw from performative writing.