@article{1c3926cf-c8ce-46fa-b8fa-89a0b5a00374,
author = {Magdalena  Urbańska },
title = {Pisanie performatywne (Głosy i performanse tekstów. Literatura – piosenki – ciało Pawła Tańskiego)},
journal = {Przegląd Kulturoznawczy},
volume = {2021},
number = {Numer 3 (49)  „Powrót futuryzmów”},
year = {2021},
issn = {1895-975X},
pages = {667-675},keywords = {performance; songs; performance studies; song lyrics studies; performative writing},
abstract = {The review focuses on the analysis of PawełTański’s book Głosy i performanse tekstów. Literatura – piosenki – ciało [Voices and Performances of Texts: Literature – Songs – Body]. Contrary to the title, textual analysis overwhelmingly prevails over performance studies in Tański’s work which also abstains from research into this field. The author carries out a sketchy review of cultural texts – mainly poetry and songs. In my article I examine Tański’s study, with particular attention to his favourite motifs, i.e. self-referentiality, love for poetry and counter-culture. As the author often reduces scientific description to emotional interpretation and expresses personal preferences in an exaggeratedly emotional form, the reader receives a cumulative expression of love for literature in the form of a report from the inside. This is also evidenced by the number of literary references and extensive citations. In my review, I critically follow this affective delight, and recognise Tański’s analyses to not only be personally tinged but also to draw from performative writing.},
doi = {10.4467/20843860PK.21.046.14366},
url = {https://ejournals.eu/czasopismo/przeglad-kulturoznawczy/artykul/pisanie-performatywne-glosy-i-performanse-tekstow-literatura-piosenki-cialo-pawla-tanskiego}
}