TY - JOUR
TI - Sonate per uno o due Cembali con il basso cifrato Bernarda Pasquiniego – błaha rozrywka czy kunsztowna szarada?
AU - Solecka, Joanna
TI - Sonate per uno o due Cembali con il basso cifrato Bernarda Pasquiniego – błaha rozrywka czy kunsztowna szarada?
AB - 
	Sonate per uno o due Cembali con il basso cifrato by Bernardo Pasquini: A Simple Entertainment or an Elaborate Charade?

	The 14 Sonatas for two harpsichords from Sonate per uno o due Cembali con il basso cifrato by B. Pasquini (British Library of London, position: Ms. Add. 31501, I) are unique examples of double partimento. So far, not many performers have referred to these works; therefore, they deserve much more attention. Employing contrapunctual techniques in their realisation seems highly interesting. The author describes and provides her own poliphonic realisation of selected pieces from this collection: Sonata II ms. I, II, III; Sonata V m. II; Sonata VII a due m. I; Sonata X a 2 m. II; Sonata XIII a 2 ms. I and II. This material may be an encouragement for farther studies and performance these works. They are worthy to be a part of the widely known performance of these works.
VL - 2020
IS - Numer 47 (4/2020)
PY - 2020
SN - 2956-4107
C1 - 2353-7094
SP - 27
EP - 69
DO - 10.4467/23537094KMMUJ.20.017.13203
UR - https://ejournals.eu/czasopismo/kmmuj/artykul/sonate-per-uno-o-due-cembali-con-il-basso-cifrato-bernarda-pasquiniego-blaha-rozrywka-czy-kunsztowna-szarada
KW - Bernardo Pasquini
KW - partimento
KW - basso continuo
KW - harpsichord
KW - fugue