@article{13f34203-7de1-4863-bfa4-944ede0a80ce,
author = {Joanna  Solecka},
title = {Sonate per uno o due Cembali con il basso cifrato Bernarda Pasquiniego – błaha rozrywka czy kunsztowna szarada?},
journal = {Kwartalnik Młodych Muzykologów UJ},
volume = {2020},
number = {Numer 47 (4/2020)},
year = {2020},
issn = {2956-4107},
pages = {27-69},keywords = {Bernardo Pasquini; partimento; basso continuo; harpsichord; fugue},
abstract = {Sonate per uno o due Cembali con il basso cifrato by Bernardo Pasquini: A Simple Entertainment or an Elaborate Charade?

	The 14 Sonatas for two harpsichords from Sonate per uno o due Cembali con il basso cifrato by B. Pasquini (British Library of London, position: Ms. Add. 31501, I) are unique examples of double partimento. So far, not many performers have referred to these works; therefore, they deserve much more attention. Employing contrapunctual techniques in their realisation seems highly interesting. The author describes and provides her own poliphonic realisation of selected pieces from this collection: Sonata II ms. I, II, III; Sonata V m. II; Sonata VII a due m. I; Sonata X a 2 m. II; Sonata XIII a 2 ms. I and II. This material may be an encouragement for farther studies and performance these works. They are worthy to be a part of the widely known performance of these works.},
doi = {10.4467/23537094KMMUJ.20.017.13203},
url = {https://ejournals.eu/czasopismo/kmmuj/artykul/sonate-per-uno-o-due-cembali-con-il-basso-cifrato-bernarda-pasquiniego-blaha-rozrywka-czy-kunsztowna-szarada}
}