%0 Journal Article
%T Nieokiełznanie i katalog. „Style życia” przedmiotów na przykładzie poezji Vujicy Rešina Tucicia*
%A Kornhauser, Jakub
%J Studia Litteraria Universitatis Iagellonicae Cracoviensis
%V 2014
%R 10.4467/20843933ST.14.009.3056
%N Volume 9, Issue 2
%P 113-126
%K Vujica Rešin Tucić, neo-avantgarde, anthropology of the object, Serbian poetry, catalogues and collections
%@ 1897-3035
%D 2014
%U https://ejournals.eu/czasopismo/studia-litteraria-uic/artykul/nieokielznanie-i-katalog-style-zycia-przedmiotow-na-przykladzie-poezji-vujicy-resina-tucicia
%X 
	The article discusses the problem of the object in the neo-avantgarde poetry on the example of Vujica Rešin Tucić’s volume San i kritika [Dream and Critique] from 1977. Basing on two different methodological paths – an ‘anthropological’ one, linked with Marek Krajewski’s notion of ‘unbridledness’, and a ‘formalist’ one, associated with Eco’s, Belknap’s or Pomian’s categories of catalogue, list and collection – the author reveals two different aspects of the object. Firstly, it can be seen as an autonomous and emancipated, even alive, entity which overshadows the subject to gain a new, dominant identity and a vast “living space”. Secondly, the object, or its textual equivalent, is a part of the catalogue- or list-oriented structure of the poem. Tucić’s poetics is marked with a number of two- or three-piece sequences of objects which build a particular objective paradigm, analysed as a “lifestyle of the objects” phenomenon. In conclusion, the author tries to utilise the notion of an “uncanny collection” of objects (as independent entities or as textual representatives) as a point of convergence of those two methodological approaches.