Atkinson, William. “Conrad in The Strand: The Hermeneutics of Suspicion in ‘The Tale.’” The Conradian 38, no. 2 (Autumn, 2013), pp. 72-89.
Bonney, William W. Thorns and Arabesques: Contexts for Conrad’s Fiction. Baltimore: Johns Hopkins University Press, 1980.
Branny, Grażyna M. T. A Conflict of Values: Alienation and Commitment in the Novels of Joseph Conrad and William Faulkner. Kraków: Wydawnictwo “Sponsor,” 1997.
Branny, Grażyna M. T. “An Epistemological and Denegative Reinterpretation in the Faulknerian Context of Conrad’s Malay Tale ‘The Planter of Malata.’” In Conrad Without Borders: Transcultural and Transtextual Perspectives. Edited by Brendan Kavanagh, Grażyna M. T.
Branny, and Agnieszka Adamowicz-Pośpiech, pp. 53-67. London: Bloomsbury, 2023.
Branny, and Agnieszka Adamowicz-Pośpiech. Intertextualizing Collective American Memory: Southern, African American and Native American Fiction. Forthcoming.
Branny, and Agnieszka Adamowicz-Pośpiech. “Narration and Epistemology: Freya, the Ambivalent Nordic Goddess of Love, in Joseph Colonial Seven Isles and Leszek Prorok’s Nazi Germany.” Yearbook of Conrad Studies 10 (2016), pp. 127-150.
Branny, and Agnieszka Adamowicz-Pośpiech. “What ‘A Smile of Fortune’ Has to Hide: An Intertextual and Comparative Reconsideration of the Texture and Theme of Conrad’s Tale.” Yearbook of Conrad Studies 13 (2019), pp. 7-33.
Conrad, Joseph. Last Essays. London: Dent, 1955.
Conrad, Joseph. “The Tale.” Tales of Hearsay, pp. 59-73. New York: Doubleday, Page & Co., 1925.
Crane, Stephen. Letters. Edited by Robert W. Stallman, Lillian Gilkes. With an Introduction by Robert W. Stallman. New York: New York University Press, 1960.
Crane, Stephen. The Red Badge of Courage. London: Puffin Classics, 1986.
Csizmadia, Balázs. “‘The Tale’: A Self-Conscious Fictional Artifice.” The AnaChronisT 11 (2005), pp. 196-223.
Davies, Laurence. “Clenched Fists and Open Hands: Conrad’s Unruliness.” The Conradian 32, no. 2 (2007), pp. 22-35.
D’Elia, Gaetano. “Let us Make Tales, not Love: Conrad’s ‘The Tale.’” The Conradian 12, no. 1 (May 1987), pp. 50-58.
Erdinast-Vulcan, Daphna. The Strange Short Fiction of Joseph Conrad. Oxford: Oxford University Press, 1999.
Faulkner, William. Absalom, Absalom! New York: Vintage Books, 1964.
Faulkner, William. Requiem for a Nun. Harmondsworth: Penguin Books, 1970.
Faulkner, William. The Sound and the Fury. New York: Vintage Books, 1956.
Faulkner at Nagano. Edited by Robert A. Jellife. Tokyo: Kenkyusha Ltd., 1956.
Hampson, Robert. Conrad’s Secrets. Basingstoke, Hampshire: Palgrave Macmillan, 2012.
Hawthorn, Jeremy. Joseph Conrad: Narrative Technique and Ideological Commitment. London: Edward Arnold, 1990.
Hawthorne, Nathaniel. “Young Goodman Brown.” In Tales and Sketches. A Wonder Book for Girls and Boys. Tanglewood Tales for Girls and Boys. Edited by Roy Harvey Pearce, pp. 276-289. New York: Viking Press, 1974.
Lothe, Jakob. Conrad’s Narrative Method. Oxford: Clarendon Press, 1991.
McDowell, Deborah E. “‘The Self and the Other’: Reading Morrison’s Sula and the Black Female Text.” In Critical Essays on Toni Morrison. Edited by Kellie Y. Kay, pp. 80-92. Boston, Mass.: G. K. Hall, 1988.
Melville, Herman. Moby Dick. Norton Critical Edition. Edited by Harrison Hayford and Hershel Parker. New York: W. W. Norton & Company, 1967.
Morrison, Toni. Paradise. New York: Vintage, 1999.
Pitavy, François. “Some Remarks on Negation and Denegation in William Faulkner’s Absalom, Absalom!” In Faulkner’s Discourse: An International Symposium. Edited by Lothar Hönnighausen, pp. 25-32. Tübingen: Max Niemeyer Verlag, 1989.
Watts, Cedric. “Killing ‘the Newt’: Kipling’s ‘Sea Constables’ and Conrad’s ‘The Tale.’” The Conradian 35, no. 1 (Spring 2010), pp. 56-77.