Agawu K., How We Got Out of Analysis, and How to Get Back in Again, „Music Analysis” 2004, nr 2/3 (23), s. 267–86.
Agawu K., Playing with Signs: A Semiotic Interpretation of Classic Music, Princeton University Press, Princeton 1991.
Ayrey C., Molino J., Underwood J.A., Musical Fact and the Semiology of Music, „Music Analysis” 1990, nr 2 (9), s. 105–156, https://doi.org/10.2307/854225 (dostęp: 18.11.2023).
Baka A., Metal Studies – historia powstania i przegląd badań, „Studia de Cultura” 2018, nr 10 (3), s. 9‒18.
Clarida R., Tagg P., Ten Little Title Tunes: Towards a Musicology of the Mass Media, The Mass Media Music Scholars’ Press, New York 2003.
Crnjanski N., Is That a New Language Coming? Some Questions Concerning Music Semiotics, „Rasprave Instituta za hrvatski jezik i jezikoslovlje” 2018, nr 44, s. 373–384.
Hatten R., A Theory of Musical Gesture and Its Application to Beethoven and Schubert [w:] A. Gritten, E. King (red.), Music and Gesture, Routledge, ASCI Art and Science, London 2006, https://doi.org/10.4324/9781315091006-2 (dostęp: 18.11.2023).
Holm-Hudson K.J., Your Guitar, It Sounds So Sweet and Clear: Semiosis in Two Versions of “Superstar”, „Music Theory Online” 2022, nr 4 (8), https://mtosmt.org/issues/mto.02.8.4/mto.02.8.4.holm-hudson.html (dostęp: 18.11.2023).
Kahn-Harris K., Metal Studies: Intellectual Fragmentation or Organic Intellectualism?, „Journal for Cultural Research” 2011, nr 3 (15), s. 251–253, https://doi.org/10.1080/14797585.2011.594582 (dostęp: 18.11.2023).
Kennedy L.F., Selim Yavuz M., Metal and Musicology, „Metal Music Studies” 2019, nr 3 (5), s. 293–297.
Kerman J., How We Got into Analysis, and How to Get Out, „Critical Inquiry” 1980, nr 2 (7), s. 311–331.
Lilja E., Harmonic Function and Modality in Classic Heavy Metal, „Metal Music Studies” 2019, nr 3 (5), s. 355–378, https://doi.org/10.1386/mms.5.3.355_1 (dostęp: 18.11.2023).
Major B., Dionizos w glanach. Ekstatyczność muzyki metalowej, Księgarnia Akademicka, Kraków 2014.
McClary S., Walser R., Start Making Sense! Musicology Wrestles with Rock [w:] S. Frith, A. Goodwin, On Record: Rock, Pop, and the Written Word, Routledge, New York–London 1990.
Middleton R., Studying Popular Music, Open University Press, Philadelphia 1990.
Moore A.F., Song Means: Analysing and Interpreting Recorded Popular Song, Ashgate Publishing Ltd., Farnham 2012.
Nattiez J.-J., Music and Discourse: Toward a Semiology of Music, Princeton University Press, Princeton 1990.
Rzeczkowska D., Muzyka popularna w dyskursie elit w obszarze muzykologii brytyjskiej i amerykańskiej [praca doktorska], 2019, https://repozytorium.amu.edu.pl/handle/10593/25430 (dostęp: 18.11.2023).
Savigny H., Schaap J., Putting the ‘Studies’ Back into Metal Music Studies, „Metal Music Studies” 2018, nr 4, s. 549–557, https://doi.org/10.1386/mms.4.3.549_1 (dostęp: 18.11.2023).
Shuker R., Understanding Popular Music Culture, Routledge, London–New York 2016.
Sivy R.J., Exposing Corruption in Progressive Rock: A Semiotic Analysis of Gentle Giant’s the Power and the Glory, „Theses and Dissertations – Music” 2019, https://uknowledge.uky.edu/music_etds/149 (dostęp: 18.11.2023).
Smialek E., Genre and Expression in Extreme Metal Music, ca. 1990–2015, McGill University Libraries, Montreal 2016.
St-Laurent M.-R., Finally Getting Out of the Maze: Understanding the Narrative Structure of Extreme Metal through a Study of ‘Mad Architect’ by Septicflesh, „Metal Music Studies” 2016, nr 1 (2), s. 87–108.
Tagg P., Analysing Popular Music: Theory, Method and Practice, „Popular Music” 1982, nr 2, s. 37–67.
Tagg P., Fernando the Flute: Analysis of Musical Meaning in an Abba Mega-hit. Research Report, Institute of Popular Music, University of Liverpool, Liverpool 1991, https://books.google.pl/books?id=ISw1PAAACAAJ (dostęp: 18.11.2023).
Tagg P., Kojak, 50 Seconds of Television Music: Toward the Analysis of Affect in Popular Music, Skrifter Från Musikvetenskapliga Institutionen, Göteborg 1979.
Tagg P., Musicology and the Semiotics of Popular Music, „Semiotica” 1987, nr 1/3 (66), s. 279–298.
Tagg P., Music’s Meanings: A Modern Musicology for Non-Musos, Mass Media Music Scholar’s Press, New York 2013.
Tagg P., Simple Semiotic Analysis of Music, Tagg.org, https://www.tagg.org (dostęp: 8.12.2021).
Tarasti E., Semiotics of Classical Music: How Mozart, Brahms and Wagner Talk to Us, De Gruyter Mouton, Berlin 2012.
Van Valkenburg A., Musical Process and the Structuring of Riffs in Metallica, Baylor University, Waco 2010, https://baylor-ir.tdl.org/handle/2104/7950 (dostęp: 8.12.2021).
Walser R., Running with the Devil: Power, Gender, and Madness in Heavy Metal Music, Wesleyan University Press, Middletown 1993, https://books.google.pl/books?id=slXb42Qk4rgC (dostęp: 8.12.2021).
Weinstein D., Heavy Metal: The Music and Its Culture, Revised Edition, Da Capo Press, Boston 2009.
Zielonka S., Musemes in Affect. Philip Tagg’s Model of Music Analysis, „Interdisciplinary Studies in Musicology” 2020, nr 20, s. 97–105, https://doi.org/10.14746/ism.2020.20.8 (dostęp: 21.11.2023).