TY - JOUR
TI - Perspektywy muzycznej semiotyki metalu ‒ w stronę interpretacji muzematycznej
AU - Mądro, Andrzej
TI - Perspektywy muzycznej semiotyki metalu ‒ w stronę interpretacji muzematycznej
AB - 
	The article is an overview of the most important concepts in the field of musical semiotics, and at the same time an indication of which of them have potential in relation to the study of metal music. Particular attention was paid to the method of musematic analysis, consistently used and developed for almost half a century by Philip Tagg, but also appreciated and practiced by other researchers.

	The starting point for the author is the state of research in the field of “metal musicology” and theory of music ‒ there is still no adequate, new methodology, and at the same time a common space and a thread of understanding between disciplines and methodologies. Such an interdisciplinary perspective can be semiotics, especially musical, which is a valuable alternative and supplement to sociological, literary and cultural studies, etc. It has potential both where music is a (subordinate) medium of the message and a “amplifier” of the text, and where, through its structure and dramaturgy expresses “itself” in a way, constituting an abstract play of sounds and timbres.
VL - 2023
IS - Numer 3 (57) Muzyczne transgresje, inwersje, brikolaże. Kulturowe warianty muzyki popularnej
PY - 2023
SN - 1895-975X
C1 - 2084-3860
SP - 261
EP - 278
DO - 10.4467/20843860PK.23.019.18577
UR - https://ejournals.eu/czasopismo/przeglad-kulturoznawczy/artykul/perspektywy-muzycznej-semiotyki-metalu-w-strone-interpretacji-muzematycznej
KW - metal studies
KW - musical analysis
KW - musical semiotics
KW - Philip Tagg