@article{018e9e32-7e01-7320-bfb1-8adb9904f9db,
author = {Anna  Rusin},
title = {Odgłosy karnawału – muzyczny język Le Carnaval d’Aix op. 83b Dariusa Milhauda},
journal = {Kwartalnik Młodych Muzykologów UJ},
volume = {2022},
number = {Numer 53 (2/2022)},
year = {2022},
issn = {2956-4107},
pages = {5-31},keywords = {Darius Milhaud; fantasia genre; neoclassical techniques; Carnival},
abstract = {Sounds of Carnival: The Musical Language of Le Carnaval d’Aix op. 83b by Darius Milhaud

	Darius Milhaud (1892–1974) is one of the leading composers of the French avantgarde in the 20th century. His stylistic idiom was formed under the influence of the folklore of various cultures from around the world, which he encountered during his numerous travels. One of the compositions inspired by foreign elements, both musical and cultural, is the fantasia Le Carnaval d'Aix op. 83b (1926) for piano and orchestra. The analysis from the genre perspective aims to examine the musical poetics of the composition (including Milhaud’s specific neoclassical strategies) and its links with Carnival. As a result, a dualistic perspective towards the musical language of the composer is proposed as exemplified by the work in question.},
doi = {10.4467/23537094KMMUJ.22.007.16244},
url = {https://ejournals.eu/czasopismo/kmmuj/artykul/odglosy-karnawalu-muzyczny-jezyk-le-carnaval-daix-op-83b-dariusa-milhauda}
}