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The Polish Journal of the Arts and Culture. New Series

Description

“The Polish Journal of Arts and Culture. New Series” was established in 2015 as a platform for exchanging ideas, aimed at anyone who wishes to engage in an in-depth reflection on culture in all its manifestations – both material and symbolic – throughout cultural circles of the world and civilisations over the centuries. We encourage the authors to ask questions about the meanings hidden behind cultural products, to interpret and understand them. We seek innovative approaches and analyses that open new perspectives and provoke discussions. Our journal opens its pages to interdisciplinary and comparative research, because they offer insight into the studied phenomena from various, sometimes obscure perspectives.

eISSN: 2450-6249

MNiSW points: 20

UIC ID: 490934

DOI: 10.4467/24506249PJ

Editorial team

Editor-in-Chief:
Agata Świerzowska
Deputy Editor-in-Chief:
Bożena Prochwicz-Studnicka
Secretary:
Anna Kuchta
Additional redactors:
Renata Iwicka

Affiliation

Jagiellonian University in Kraków

Journal content

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20 (2/2024)

Publication date: 12.12.2024

Issue Editors: Joanna Grela, Przemysław Skrzyński

Editor-in-Chief: Agata Świerzowska

Deputy Editor-in-Chief: Bożena Prochwicz-Studnicka

The publication of this volume was financed by the Jagiellonian University in Kraków– Centre for Comparative Studies of Civilisations and the Strategic Program Excellence Initiative at the Jagiellonian University.

Cover design: Karolina Witecka

Issue content

Joanna Grela, Przemysław Skrzyński

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 7-9

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Articles

Marta Kudelska

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 11-25

https://doi.org/10.4467/24506249PJ.24.014.20958
The main subject of the essay on Ireneusz Kania is to recall his great contribution to the study of Buddhism in Poland. First of all, late śruti texts, mainly the Upanishads, are compared with the oldest texts of early Buddhism, the suttas. Reading texts from these collections together gives a fuller, more multidimensional picture of the era than by analysing only Brahminical or Buddhist sources. The analysis of both groups of texts indicates evidence of mutual contacts. Ancient India 3rd–2nd century BC they were neither exclusively Brahminical nor exclusively Buddhist, but were an arena for mutual discussions, polemics, the exchange of thoughts, and the flow of ideas.
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Beata Łazarz

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 27-42

https://doi.org/10.4467/24506249PJ.24.015.20959
The article focuses on Ireneusz Kania’s translation work in relation to canonical texts of early Buddhism. Central to his work was the pursuit of truth about the world and humanity, the path to which, in his view, the teachings of Buddha pointed. The article outlines the basic assumptions underlying his approach to translation. These include, alongside drawing from the Western hermeneutics, convictions rooted in Buddhist teachings regarding the conventionality of language, translation as a path to unfolding wisdom, the inevitable transience of translations, and translations as a kind of Indra’s net, where successive versions are interconnected. In his opinion, translations, enabling exploration texts from different cultural and historical realities, can both inspire the quest for answers to fundamental questions and enable the recognition of one’s own intuitions and insights pertaining to the nature of reality.
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Olga Kadłuczka

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 43-58

https://doi.org/10.4467/24506249PJ.24.016.20960
The presented article indicates the possible influence of Buddhism, specifically its Tantric tradition on Tibetan funeral rituals, focusing notably on the unique practice of Sky Burials. Buddhist teachings on embracing death as an integral part of existence, along with concept of active compassion towards all sentient beings and the understanding of emptiness (śūnyatā) of all phenomena, shaped Tibetan perspectives on death. Since recent years, there has been a noticeable increase in society’s openness to discussing the topic of death. Therefore, the aim of this analysis is to provide a deeper understanding of the philosophical and spiritual aspects influencing this ancient yet still relatively unknown ritual. By exploring religious and cultural practices, my interest lies in elucidating the interconnectedness of religious philosophy, rituals, and their influence on societal perceptions, particularly concerning the universal human experience of death. Moreover, my aim is to provide a detailed explanation of the underlying ideas behind the ritual, which, due to lack of understanding, is often misconceived as a barbaric custom among the peoples inhabiting Central Asia. I intend to demonstrate how the influence of Buddhist thought has transformed funeral ceremonies rooted in the ancient native traditions of the Tibetan Plateau, thus mitigating one of the most deeply ingrained cultural taboos – the widely understood taboo of death.
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Stefan Sencerz

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 59-72

https://doi.org/10.4467/24506249PJ.24.017.20961
In this essay, I explore how teachings about hell functions within Buddhist cosmology and how they were developed within various Buddhist monastic traditions. I discuss, in particular, two different possible interpretations of these teachings; a literal one and a metaphorical one. By pointing to some problems with literal (realist) interpretations of what hells are, the essay indirectly argues for a metaphorical one.
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Cezary Woźniak

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 73-86

https://doi.org/10.4467/24506249PJ.24.018.20962
In 1927, Martin Heidegger published the treatise Being and Time, the significance of which went far beyond the realm of philosophy. This book was of fundamental importance for the constitution and development of contemporary philosophical thanatology. This article is devoted to the thanatological issues raised by Heidegger’s views, including the discussion with them undertaken by Jacques Derrida and Ray Brassier. The article discusses issues such as the aporia of death, the subject of death, forms of death, the essence and meaning of death, thanatological difference. It also raises the question: is “my death” possible?
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Imaginatio Mundi

Joanna Gruszewska

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 87-101

https://doi.org/10.4467/24506249PJ.24.019.20963
The text presents a translation of four stories from the Dhammapada Commentary (Dhammapadaṭṭhakathā), the themes of which are oriented around the motif of mourning after the death of loved ones: The Tale of Sumanā – commentary to verse 18, The Tale of Kisa Gotami (Kisāgotamī) – commentary to verse 114, The Tale of Queen Mallikā – commentary to verse 151 (fragment), The Tale of Visakha (Visākhā) – commentary to verse 213. The introduction discusses the relationship between the Dhammapada and its commentary, the characteristics of the commentary in Pali literature as a literary genre, and analyzes aspects of the presentation of mourning and the teaching on impermanence in the didactic dimension of the presented texts.
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Krzysztof Jakubczak

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 103-124

https://doi.org/10.4467/24506249PJ.24.020.20964
The text is divided into two parts. The first part is a reconstruction of the main issues of Madhyamaka philosophy present in Nāgārjuna’s Hymn to the Unthinkable One (Acintyastava). Particular emphasis is placed on issues that were not explicit in Nāgārjuna’s treatises. The most important one is the thetic moment of our experience, which is expressed by the term “obsession with reification” (bhāva-graha-grahāveśa). This is a natural tendency to attribute real existence to objects of consciousness, i.e. the tendency to hypostasize them (samāropa). The second part of the text is a translation of the Hymn of the Unthinkable One.
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Joanna Gruszewska

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 125-136

https://doi.org/10.4467/24506249PJ.24.021.20965
The text presents an explanation of the story of the creation of the female monastic community in Buddhism as presented in the Basket of Rules of Monastic Discipline (Vinayapiṭaka) in the Cullavagga, in the tenth part devoted to nuns (Bhikkhunīkkhandhaka). The introduction discusses the characters and motifs appearing in the text, analyzes the most important themes, and cites the most important contemporary interpretations of the story.
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Artur Przybysławski

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 137-142

https://doi.org/10.4467/24506249PJ.24.022.20966
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Apteczka tybetańska

Eleonora Tenerowicz

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 149-156

https://doi.org/10.4467/24506249PJ.24.025.20969
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Ireneusz Kania

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 157-193

https://doi.org/10.4467/24506249PJ.24.028.21227
The content of the article is a preliminary description of two exhibits from the field of Indo-Tibetan medicine, held by the Ethnographic Museum in Kraków. They come from the areas of Mongolia or Buryatia, from where they were brought by the famous researcher and traveller, J. Talko-Hryncewicz, as a result of his wanderings in those areas in the years 1903–1908.
They are: a collection of medicines (strictly speaking: raw materials for their preparation), consisting of several hundred samples, and a handwritten medical compendium in Tibetan.
This work provides a catalogue description of the collection, containing the Tibetan name of the appropriate medicine in Latin transliteration, its Latin name, possibly also Sanskrit and Polish, and a short description of the contents of the jars in which the samples are located. This is the first description of this kind in Polish and one of the few in world literature. In view of the fact that specialists of various fields are becoming increasingly interested in the still little-researched but extremely interesting concepts and achievements of traditional Tibetan medicine, and also the fact that our collection with its 277 exhibits is one of the leading ones in terms of numbers among similar collections in museums around the world (only twenty or so are known), it should be considered very valuable, and its study a scientific task of great importance. The same applies to the medical manual in Tibetan. It is a large handwritten book, whose author – the famous Mongolian scholar bLo bzang chos ´phel – lists dūrya sgnon po, probably written at the end of the 19th or beginning of the 20th century, is a sui generis summary of the long development of Indo-Tibetan medicine, which is why it has a very high scientific value.
This work provides a description of the compendium and its detailed contents (chapter titles in Tibetan and translated into Polish). It is one of only a few similar descriptions existing in world Tibetological literature. One of the most important goals of this work is to interest specialists in various fields of science – ethnographers, historians and practitioners of medicine, pharmacologists – in Tibetan medicine.
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Dialogues and Diagnoses

Jerzy Illg

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 195-201

https://doi.org/10.4467/24506249PJ.24.026.20970
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Tomasz Wiśniewski

The Polish Journal of the Arts and Culture. New Series, 20 (2/2024), 2024, pp. 203-208

https://doi.org/10.4467/24506249PJ.24.027.20971
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